Tag Archives: War

Courage Under Fire (1996).

A.K.A. the Meg Ryan movie that isn’t an insufferable rom-com – there is no diner buffoonery or a premise based around emails (it was 1998, I suppose) here. And she is fine in this. One might even mistake her for an actual actor, and I can comfortably say the same about Lou Diamond Phillips, who excels in this overlooked war drama as the dodgy one.

Nothing wrong with this film at all. Denzel great as always, a young Matt Damon shows up looking like a rake, the action is cracking, the story easy to follow, no thematic minefields on display, and I learned a few things watching it.

I’ll pass this knowledge on to someone one day if we ever discuss the Gulf War.

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Kubrick sums up the Seven Years’ War (1756–1763) in 10 seconds.

‘It would require a great philosopher and historian to explain the causes of the famous Seven Years’ War, in which Europe was engaged, and in which Barry’s regiment was now on its way to take part. Let it suffice to say that England and Prussia were allies … and at war against the French, the Swedes, the Russians, and the Austrians.’

^Saved you half an hour on Wikipedia.

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U-571 (2000).

It is tremendously well made, never boring, nothing special, and no Das Boot (1981), but what ever could be? 

And I have no idea what happened to Jon Bon Jovi in this movie, or why he is in it. 

It’s a mystery but not that much of a mystery that I will commence an investigation.

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Napoleon (2023).

I wish this would have just been about the Battle of Waterloo (1815) as it’s the only time this movie truly ignites, and that’s despite the battlefield inaccuracies and the atrocious performance of Rupert Everett as the Duke of Wellington, the ’90s throwback playing Wellesley as a snarling thug rather than aristocratic master of defensive battle.

The first 45 minutes are great, Napoleon awestruck by Joséphine and proceeding to act in the most hilariously childlike manner, a supreme baby smitten. It’s very funny and it’s a shame it didn’t stay this way, a couple’s domestic melodrama taken to the extremes of the world stage. Unfortunately, what follows is a series of scenes from your basic high school history lesson with nothing holding them together. Don’t expect a character study but a truncated telling of events. It’s an enigmatic performance from Phoenix and he’s always engrossing; the drama, however, is zilch.

Hurried, unfocused, and often boring, it’s a technical marvel with sumptuous visuals but a decent script would have helped. There’s no sense of the wider historical forces that enabled or expanded the Napoleonic Wars, or any concerted attempt to explore the lad’s mammoth fall. Here, it just … happens.

I’ll wait for the four-hour cut I keep hearing about.

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Crimson Tide (1995).

Crimson Tide (1995) is fucking amazing, and it’s not just for the extended screaming stand-off between Gene and Denzel. It’s a film about an issue, a rather big issue, yet is shot with such electricity, edited and paced as good as any action-thriller, and with a Hans Zimmer score sounding like it was composed when he was conducting an esoteric shite. Even the intermittent pop culture references, weird as they are, kind of work, a way to relieve the unbearable tension.

You have five heart attacks watching this movie.

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Epic History TV.

This channel is what the Internet was made for (aside from cat videos and staged pranks). The wealth and detail of info in these vids, the animation, the music, the narrator and his redoubtable voice.

https://www.youtube.com/@EpichistoryTv/videos

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They Shall Not Grow Old (2018) – colourised reality.

download

Viewed through the prism of black-and-white, Charlie Chaplin-speed film footage, it’s axiomatic to view actors from the past as otherworldly, alien even, and simply not blessed with the smarts and skills we believe ourselves to possess. We forget they are people of their time using that era’s technology and science and its harnessing of military doctrine.

Then the grainy kaleidoscope of war gets colourised to the max and all hell breaks loose. You’d think this is GoPro stuff sent back to Flanders in a time machine and then propelled back to the future by Marty and Doc, such has been the collective hyperbole over Peter Jackson’s colourised tribute to our great-grandparents.

And that’s the thing – as the red, green and blue is blitzed the more we can relate. Yet war today is some distant thing we flick through on CNN or whatever. Fully realised 3D depictions of car bombs and RPGs ambushing armoured personnel carriers we have decided are too graphic, this in an age when students find clapping traumatic. But the carnage of the Somme is somehow acceptable because it’s a centenary old. Weird.

Perhaps we need a WWIII to make reality (people die, war is hell) more palatable to our viewing tastes.

Further reading/viewing:

https://www.theguardian.com/film/2018/oct/16/they-shall-not-grow-old-review-first-world-war-peter-jackson

https://www.bbc.co.uk/news/entertainment-arts-45910189

https://www.independent.co.uk/arts-entertainment/films/reviews/they-shall-not-grow-old-peter-jackson-review-first-world-war-ww1-lord-of-the-rings-hobbit-a8586401.html

https://www.youtube.com/watch?v=EHYRfukHToc

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