It’s not The Fugitive (1993), but what could be?
An entirely unnecessary sequel with no character development or anything approaching the battle of smarts that was Indiana Solo vs. Tommy Lee Jones, but it has a few thrills, and Robert Downey Jr. thankfully keeps his rote muttering shtick to a minimum.
And Tommy Lee Jones dresses up as a chicken for the purposes of law enforcement.
I’ve had worse viewing experiences.
Volcano (1997) has it all – highly convenient money shots, ludicrous dialogue, every character intro cliché in the book, and the usual late ’90s anything-goes-because-logic-doesn’t-matter action.
The effects are sometimes great, sometimes shite, and usually just ordinary. Anne Heche is in this and looks like she was made to by her agent. Tommy Lee Jones looks bored off his tits in another one of those “It paid the bills and got me a yacht” performances. And an armoured division of fire engines defeat lava.
Better than Dante’s Peak (1997), though.
Testament to a looney age.
“I didn’t kill my wife.”
“I don’t care.”
The Fugitive (1993) still holds up today, a thousand action-thrillers on. It’s now widely considered the benchmark for the ‘smart’ popcorn movie (big name star, TV source material, Oscar pretensions). There are spectacular set pieces here but it’s the intelligence of the script and the care in which the characters are sculpted which first captivated audiences. The battle of wits between the two leads and the obsession with which they pursue their agendas is like Maverick vs. Iceman but without the fighter jets and a volleyball scene. Well, perhaps a more mature version.
I saw it the other day for the first time in a decade and I was struck by how mature the film is, how it doesn’t pay lip service to target audiences/demographics. It’s simply a wrongly accused bloke on the run, but these are humans and not cardboard stock characters.
Stylistically, there is one sequence which dominates. A film lecturer I had at university showed us it in class as a textbook/expert use of montage, how a sequence so brief can cover so much crucial plot information. It takes your average modern-day movie an hour to cover what’s done here in under five minutes:
Wanderings and ... wonderings. 