Tag Archives: Thriller

Copshop (2021).

The ominous opening set the tone despite the humour, some of it actually funny, and this was never dull even though the Assault on Precinct 13 (1976) scenario kept most of the shenanigans indoors.

Gerard Butler wasn’t dire! He’s sometimes capable of being okay and here is one of those occasions. Frank Grillo, Cutty from The Wire, the cast is not an issue and every character was credible.

Rather thrilling hokum, genuinely inexperienced cops of mostly limited talents really struggling when up against hardened criminals.  

It does, however, wholeheartedly exhibit that infuriating habit of American cinema, characters constantly addressing one another by their names during every single exchange they have, as if the audience will have forgotten who they are.

Just stop doing it. It needs to end.

Tagged , , , , , ,

One False Move (1992).

The cutting, the stark directness of the style, the quite astonishing framing, this is a movie that demands your attention. The violence is visceral and brutal, and you get the feeling that anything can escalate out of nothing, which it often does. The cast are are all on the top of their game, Billy Bob Thornton a revelation in one of his earlier roles, and the late Bill Paxton once again proving that he’s incapable of a bad performance. And who on Earth was the very bad lad with the tash? Why haven’t I seen this bloke Michael Beach in anything else?

It’s such an unpredictable drama and grips the whole time. It’s also a horrible movie to watch … but for the right reasons.

And there’s a visual reference to North by Northwest (1959) that is simply magical.

Tagged , , , , , , ,

Ripley’s Game (2002).

This is the John Malkovich Show.

He is so perfect as Ripley, camp and creepy and always funny, you almost wish he could de-age a wee bit in 1999 and play the eponymous nutjob in The Talented Mr Ripley, which is a belter in its own right.

This film is just great, a thriller which is amusing, and a proper character piece. It’s about how little innocuous things lead to grand dramas, and how petty acts have far-reaching consequences. And how Ray Winstone really should not have an earring.

A riot of a movie.

Tagged , , , , ,

Red Sparrow (2018).

Riotously entertaining if totally ludicrous and unnecessarily graphic in its violence and shagging. This is preoccupied with sleazy old men and delectable items of the flesh plucked to seduce them. It’s awkward to watch and I suppose that’s the point of the honey trap premise, which is apparently a widely-practised tactic by intelligence services.

There is nothing complicated here and it doesn’t really matter what city the characters are in. I don’t think I can recall a spy thriller with such a nonchalance as to its locations, which are without distinction.

But whatever, it’s just high trash with a cast who seem to know what it is.

Enjoyable hokum. 

Tagged , , , , , , , ,

A Perfect Murder (1998).

I must confess, I loved this.

It is unabashed glossy trash of the highest order, with Douglas at his peak of sleaze. It’s how I image Gordon Gekko would be in his private affairs. I didn’t care much for the machinations of the plot, but merely for the level of smug on display, though David Suchet’s detective seems to think it’s an actual Cannes-worthy art piece he’s in.

I’ve never seen the Hitchcock one. A new quest.

Tagged , , , , , , ,

Oldboy (2003).

A movie almost unique in its seamless harnessing of script, characterisation, and style, Oldboy (2003) is two-in-one, arthouse and popcorn cinema. Its influence international and far-reaching, one must be conscious of not just lifting a few stand-out scenes for praise, but the corridor scene is immense. Not only did it connote the visual delights of Donkey Kong on the SNES (or is that just me?), it gave a whole new dimension to the sequence shot, one that went beyond just an aesthetic achievement.

No matter how many times I’ve watched this, it still impresses. And that score. Wow.

Tagged , , , , , ,

The Guest (2014) is a phenomenal homage to cool.

It’s silly and ludicrous and daft and nonsensical but it works because of the music cues and the overarching unapologetic style of it all which screams ‘This is the 1980s’.

But it isn’t. We can, however, pretend otherwise.

Tagged , , , , , , ,

Under Siege (1992).

Early Seagal is almost as ludicrous as latter-day Seagal. The cut-off point is everything after On Deadly Ground (1994), an incomprehensible riot of a shitter which somehow stars Michael Caine. 

His Casey Ryback displays no vulnerability, is never once close to losing a violent encounter, doesn’t break a sweat, and appears to give zero fucks about anything going on around him. The funniest motif is all of the other ‘characters’ informing the audience at every opportunity that Casey Ryback is not mortal.

Supremely entertaining movie with quite the catchy score which totally isn’t a rip-off of JFK (1991) ….

Tagged , , , , , , ,

The Good Shepherd (2006).

Firstly, let’s get this out of the way: Angelina Jolie should not be in movies. She has no acting ability that has ever been evidenced in anything she has featured in. I mind that Sony Pictures hack years ago when a producer referred to her as a “minimally talented spoiled brat”. Sums the situation up. For some reason she is in movies, and was cast in this to put bums on seats, though I do question the sanity of folks who’d watch it for the delights of Jolie. She’s awful.

Now that’s cleared up, some positives. Like Tinker Tailor Soldier Spy (2001), this was gripping without ever seeming to be about anything; it’s the little details and the intricacies and the things that are easily missed. It’s less a depiction of Cold War espionage and more a portrayal of a bloke operating within a system of double entendres, maintaining the poker face at all times (Damon is a cold fish here but we can see why).

De Niro hasn’t made many films and this one is curious subject matter. Of all the topics and milieus, I’d never imagined he’d be interested in something like this. It’s very well made, a bit of the Michael Mann about it.

Bobby should make more spy flicks.

Tagged , , , , , , , ,

Nobody (2021). AWESOME.

Loved this. Think John Wick/The Equalizer/Death Wish rolled into a can and Saul Goodman peeking in for a whirl. It’s frankly ludicrous in bits but just so entertaining. This is action done right – it stems from the real-life scenarios we see daily in the tabloids and hope such things never happen to us (sometimes they do).

I recall the Travis Bickle’s tragic line, “Here is a man who would not take it anymore.”

But talk about fight scenes. This film demonstrates what it’s like to be punched in the face. It really hurts. Personally, I’ve always preferred a whack in the chin than the nose; with the former, you’re done. The latter, you bleed and show the wounds of battle.

This movie is hilarious and believable at the same time. It’s a 5/5. Well done, Bob Odenkirk. Top lad.

Get it seen!

Tagged , , , , ,