Tag Archives: Movie

Jul 02 2022
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Cinema, Film, Movie, Movies, Technology, Uncategorized

Mad Max: Fury Road (2015).

I wasn’t expecting much from this, the picture released decades after the last instalment. It smelled of a desperate reboot, and all the chatter of on-set discord (to put it lightly) between the leads wasn’t encouraging. But how stunning this movie turned out to be, a nonstop thrill-ride serving as the antidote to today’s CGI-laden borefests.

It looks like it was storyboarded to the max, and thank fuck as it’s expert spectacle. So many movies give the impression that the cinematographer and director never even discussed the visuals before the day’s shoot. Fury Road, however, defines … creative carnage.

I recommend the best way to view this treat is as a double bill with Mad Max 2: The Road Warrior (1981). Fittingly, Roger Ebert’s review of the Mel Gibson classic captures the appeal of both:

‘What is the point of the movie? Everyone is free to interpret the action, I suppose, but I prefer to avoid thinking about the implications of gasoline shortages and the collapse of Western civilization, and to experience the movie instead as pure sensation. The filmmakers have imagined a fictional world. It operates according to its special rules and values, and we experience it. The experience is frightening, sometimes disgusting, and (if the truth be told) exhilarating. This is very skillful filmmaking, and “Mad Max 2” is a movie like no other.’

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Jun 29 2022
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Art, Cinema, Film, Movie, Movies, Uncategorized, United States

Jarhead (2005).

Jarhead (2005) is one of most visually unmemorable good movies ever. It all looks lovely but entirely anonymous, solid craftsmanship rather than the captivating. I can’t recall a single striking shot; the poster leaves more of an impression than any of the images. Maybe this is the point – capturing the monotony of war. But is war really this boring? A dozen other movies say no.

It’s quite the riot, though, for the first hour, lots of lolz and a frenetic pace, an atmosphere that builds up to something that … never really happens. The early promise peters out and you just get repetition. Once again this may be the point. But what’s the point? This is a war movie, not an episode of Seinfeld. Watch Three Kings (1999) instead. It’s about something.

And Chris Cooper’s high billing for this annoyed me. He is barely in it and leaves little impression other than a weak imitation of Robert Duvall’s Colonel Kilgore.

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Jun 23 2022
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Art, Cinema, Film, Movie, Movies

Hail, Caesar! (2016).

Hail, Caesar! (2016) feels both enamoured with and contemptuous of post-war ’50s Hollywood, revelling in the sleaze and skulduggery behind the charade as a nostalgia piece, whilst also informing us that it’s still how the edifice operates.

Eddie Mannix is flatteringly portrayed by Josh Brolin as a reluctant fixer plagued by Catholic guilt, but it works because of the sharks swimming around him. Brolin excels at these roles, capturing just the right combination of the smarmy and the sentimental. It’s a loose telling of events, as anything deeper would result in a murkier film.

As a pure comedy, it’s very funny. And every Hobie Doyle scene is hilarious. A snippet:

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Jun 18 2022
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Art

The Guard (2011) is a majestic experience.

Every line of dialogue in this is funny, and the lines have a purpose. Not a single sentence is wasted. I’m reminded of a David Mamet play, but with a cinematic sensibility (a David Mamet film, then). It’s the chemistry between the two leads, however, which really makes the movie, the Don Cheadle’s grudging and then growing respect of the seemingly nonchalant Sergeant Boyle, who is way smarter than he looks and acts. “You know, I can’t tell if you’re really motherfuckin’ dumb or really motherfuckin’ smart.”

And the villains. Such banter:

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Jun 15 2022
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Film, Movie, Uncategorized

The Hunt (2020) is a prime example of a poster being better than the actual movie.

I think the pig makes it so. As for the film itself – embarrassing, desperate satire which was both highly irritating and puzzlingly boring at the same time.

Don’t waste your time on it.

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Jun 03 2022
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Art, Britain, Film, Movie

The King (2019). I’m glad I viewed it again.

And it was only for this truly sincere and transcendental line from Henry V’s won-from-Agincourt bride: “All monarchy is illegitimate; you, yourself, are the son of a usurper.”

Incredible. True. Brilliant.

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May 28 2022
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Art, Cinema, Film, Movie, Movies, Uncategorized

Donnie Darko: The Director’s Cut (2004). Why, oh why?

I’ve always said that Donnie Darko (2001) is a tad overrated, and its soundtrack a big role in the movie’s appeal. However, it is a very good motion picture, one with just the right amount of ambiguity and tension to keep it captivating all the way to the end credits. It balances so many different genres and themes, that for a first-time director its remarkable.

Imagine my horror upon accidentally watching the ‘Director’s Cut’. Verily, I was mortified. It started from the get-go, Echo & the Bunnymen’s ‘The Killing Moon’ replaced by INXS’ ‘Never Tear Us Apart’ for the iconic bike ride home. Initially, I thought I was in the throes of one of these ‘fan edits’ that do the rounds. But nah, these are conscious, completely sober adjustments made by the director. Even worse, the bloke inserts title cards before or after confusing (for some) scenes, explaining what is happening.

He can of course do whatever he wants with his own creation, but come on, man. I can’t think of a single reason why the bloke would commit this (art) crime other than boredom or an addiction to needless tinkering. Anyway, I’ll forgive him once I view the only version again.

And that’s that.

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May 18 2022
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Cinema, Film, Movie, Movies

Spider-Man 2 (2004) revisited.

I didn’t think much of this upon a first viewing. Time, or the slew of shit since – mostly of the multiverse variety and endless remakes and reboots – has been kind to the exceptional Spider-Man 2 (2004).

Gripping action scenes with three-dimensional characters in the mix, an almost total lack of the usual highly irritating in-jokes that feel out of place, scenes with actual emotional heft, and comic strip transitions that work.

Alfred Molina should have been in more stuff after this, the next go-to über-villain.

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May 16 2022
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Architecture, Edinburgh, Photography, Scotland, United Kingdom

Edinburgh lockdown – week 113. Almost back to ‘normal’?

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May 12 2022
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Cinema, Film, Movie

The Hunt for Red October (1990)

John McTiernan has evidently experienced quite the few legal … issues in recent years, but for a brief period he was King of the Hollywood Blockbuster, and The Hunt for Red October (1990) his last action heroics (see what I did there?).

Alec Baldwin is the nominal protagonist but he’s more of a link between Sean Connery and Scott Glenn, the two submarine commanders spending most of the movie in a gripping cat-and-mouse underwater showdown. It does what these movies are meant to do – the claustrophobia and tension, the crew in-fighting, but it also has a geopolitical dimension which now doesn’t appear to be merely of its time.

Not bad at all.

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