Tag Archives: Liam Neeson

Michael Collins (1996) is an almost masterpiece.

A stirring slice of still-contentious Irish history masquerading as a thriller, this is a biopic meets The Godfather (1972).

Tywin Lannister is in it. As is Julia Roberts with the worst ‘Irish’ accent since … the birth of cinema. But she doesn’t ruin it; her role is window dressing, a star name to pump up the box office. 

Its like the anti-Richard Attenborough biopic, and thank the gods his perfunctory talents were never let near this kind of material. 

Oppenheimer also turns up as an assassin. And the poster is sublime. 

4/5. 

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Rob Roy (1995).

A decent enough, semi-rousing yarn that is better as an example of missed stylistic choices than a superior entertainment. It’s mature but has a soap opera ‘quality’ to it, which makes you wish it went all out and 100% ridiculous for it’s so damn plodding at times. The cast are the best thing about it. Tim Roth is suitably supercilious and looks like he’s having a ball. What happened to him? He was Mr. Nineties. Perhaps that’s his decade and no more. Brian Cox, though, is the gem here. He’s a total slimeball and unashamedly so. He excels at those roles.

The score, sadly, is horrendous and frankly intrusive; it detracts from the would-be drama on display. Listening to it, I kept thinking of Miller’s Crossing (1990) or Fargo (1996), and then realised it was the same bloke who scored those movies.

A cracking sword fight with actual decent editing rounds off proceedings. There aren’t a million cuts to the sequence, which is shocking. But then this was made prior to ADHD being a prerequisite for the job of editor.

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The Grey (2011) is fabulous.

I’ve read a few sneering reviews from snooty film critics taking umbrage at the movie’s existential pretensions. I don’t get where they’re coming from; if you’re being stalked and mauled by a pack of sociopathic wolves I think you’d start to think about your existence. Anyway, it’s a thrilling movie. There’s no comedy or irony or a memorable quote; what it does is action and does it with aplomb. It’s about willpower and survival. And Liam fighting wolves. That’s it.

And there’s nothing wrong with that.

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