Tag Archives: Ireland

Michael Collins (1996) is an almost masterpiece.

A stirring slice of still-contentious Irish history masquerading as a thriller, this is a biopic meets The Godfather (1972).

Tywin Lannister is in it. As is Julia Roberts with the worst ‘Irish’ accent since … the birth of cinema. But she doesn’t ruin it; her role is window dressing, a star name to pump up the box office. 

Its like the anti-Richard Attenborough biopic, and thank the gods his perfunctory talents were never let near this kind of material. 

Oppenheimer also turns up as an assassin. And the poster is sublime. 

4/5. 

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The Field (1990).

Was expecting a lot more from this one considering the thesps involved. 

It was so dull and grim, the story better left to the stage than the possibilities of cinema. And it’s not much of a story. I was mostly bored and halfway through could see what was coming.

Last year’s The Banshees of Inisherin (2022) came to mind in its tedium. 

Highlight of this is Tom Berenger turning up dressed like Dick Tracy. 

Nothing much to add here.

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The Wonder (2022).

The director here can direct like the bloke who constructed The Wicker Man (1973) can, and I’m not alluding to Nicolas Cage and “the bees”.

Quite the captivating drama this one, featuring the usual committee of elders/morons, the martyr lead, and your go-to religious allegories, but it’s done so well. It’s more watchable than Persona (1966), and definitely less irritating.

That’s it for the spoilers.

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The Banshees of Inisherin (2022).

Funny, indeed hilarious at times, sad, melancholic, and rather quite depressing, this is one grand odyssey into loneliness, boredom, and existential crisis that just isn’t spontaneous or … watchable enough to be up there with In Bruges (2008) or The Guard (2011), but it’s certainly something different. It takes so long to get going, though, and there’s only so much material you can draw from the Craggy Island setting.

Still, it’s better than most, and has the best performance by a donkey since Au Hasard Balthazar (1966).

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