Tag Archives: Guy Pearce

The Brutalist (2024). Wow.

This is what it’s all about.

A work of pure cinema with a mastery of style, I felt I was in the presence of Bernardo Bertolucci, Stanley Kubrick, and Martin Scorsese all at once.

Even the opening credits are some of the most enthralling I’ve seen; their arrival is unexpected, their form unorthodox in this monumental drama. It feels like a throwback to a time when a film was an event, but this marries the grandiose with the human element, searing, mind-blowing images sans any spaceships or capes.

The air of dread that simmers in this magnificent work is startling. You’re aware it’s all building to an unfathomable crescendo but can’t look away.

It’s always a privilege to watch a fucking amazing film.

This is one of them, privilege and film.

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Memento (2000).

It’s hard to define Nolan’s style – he goes epic and wide-angle when the moment demands it, but mostly his syntax is economical and unobtrusive, non-showy. It almost always works because you’re drawn into the intricacies of the story. 

He has a thing for subject matter. Like the polymath Kubrick, you get the impression he’s autodidactically researched himself into a master of the topic. Memento (2000) defines Nolan at his very best. Immediately after watching I went on the usual internet binge. He seems to know most of his shit. 

The non-linear structure works to a tee because it makes sense. The complexities of the character and the realisation that he’s not some naive rookie vigilante are revealed so well you’d be forgiven for thinking this is the director’s 10th venture into movie making. 

And Joe Pantoliano is sublime. He always is. 

What happened to him? 

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