This is the best-looking movie about gruesome happenings of the soul and imagination.
You’re seduced, almost, into its albeit engrossing web of cruelty through the outrageous grandiosity of its style; it’s obsessively framed and lit. Yet it somehow never descends into the pretentious, a rare movie that pulls off its conceit.
And Michael Shannon is in it and he can do no wrong.
This is a good movie in a landscape of capes and all that.
