I was dreading this movie would be too reliant on the standard As Good as It Gets (1997) OCD schtick to drive the narrative but it smartly sidestepped all the easy mechanisms. A highly entertaining dramedy with two plots going on seamlessly, a con and a character study intertwined, this is another solid entry in the Cage compendium.
One wishes Ridley Scott would make inconsequential but breezy fare like this rather than all his insipid train wrecks of late, which are too numerous.
And Bruce McGill is in it, showing once again that he’s in everything.


