I tried.
Scorsese always deserves a second change of pants.
This movie is fucking atrocious. The needless, meandering, wholly unmemorable dialogue was the worst element of this unimpressive stinker.
You get the impression they are all about to drop the bombshell. And there isn’t one.
And it’s not even funny.
I hated it and hope you do too.
Sorry, Marty.
Pathetic movie, in every single facet of its putrid being.
Here we have a slapdash piss-take excuse for a motion picture, the apex of post-Lock Stock rip-off … whatever this giant bucket of crap was or wished to be. Folk swear incessantly because the writer can’t think of any dialogue.
Visually it’s bollocks, and not even in a quirky way. Every single manky British actor in this is an embarrassment, a wee college acting course scrotum barely worthy of a TV soap. Even Robert Carlyle started to grate.
I’m so happy this movie bombed at the box office because I like to see bad things on this planet fail. Samuel L. Jackson appears to feature as he wanted to conduct a bit of anthropology.
Fucking awful.
Jerry Bruckheimer. Hans Zimmer on score duties. A beautiful leading man. Is this another era? I’m torn: it’s either the late 1980s or early ’90s.
A perfectly good movie here, throwback feel revved up to suitable levels of nostalgia but with cutting edge pyrotechnics.
How a gruesome series of sadistic slashers whose sole concern is setting up, with our complicity in the premonition, chain-reaction sequences of unfettered butchery can be … fun is entirely testament to the filmmakers.
And this is by a mile the best yet.
This is a flawless film.
I tried to be a bit sneaky and identity a flaw in it, but I couldn’t find anything.
Well done.
Horrible movie, and much like JFK (1991), an acrobatic display in baroque style and technique, for no reason.
It appears to aim to be a condemnation of mass media and its obsession with lurid violence, yet luxuriates in the mayhem committed by our murderous couple. Decent soundtrack. However, another painful Robert Downey Jr. performance ruins any hope of a watchable movie emerging.
Definitely one of Oliver Stone’s worst, but it’s not down there with Alexander (2004).
About 34 minutes into this derivative drivel, I understood that Robert De Niro playing two non-related characters for no reason summed up the movie: POINTLESS.
Avoid like the plague (or anything).
It’s brilliant.
Complex but not too much so, at breakneck pacing the internal paradoxes of time travel have seldom had such thrilling treatment. It’s all a bit depressing as well, with one wrong move ruining future generations, but it’s done in an enjoyable way. Dumping Jennifer, Marty’s beleaguered girlfriend and soon-to-be wife, in an alleyway (and then a porch) is a bit naughty, though. That’s not aged well.
As for it’s prediction of 2015, much of it was accurate, but I don’t recall hoverboards a decade ago. Even today, members of Edinburgh’s shrieking underclass community are still pounding it along pavements on pink scooters (stolen), with lifted cleaning goods from budget supermarket Aldi shoved down their tracksuit bottoms.
A real shitty look distinguishes this real shitty film, and there was so much manky, needlessly prurient dialogue in it that just irritated me. Every actor dwelling in this silly bit of unfunny farce had a smutty, unbearable ‘performance’, reeling off standard lines from a depressing (they all are) British soap opera.
Pointless movie, and it won’t shock you to read the revelation that I hated it.
I mind a school teacher back in the day thought it was a hoot because a semi-mute teenager in this shabby excuse for a movie won’t remove his Inuit coat. It’s a less funny gimmick than that kid in South Park who kept dying.
“Oh my God” and all that.
Brendan Gleeson is one of the finest out there and even in a stinker he’s never the one doing the stinking.
Jon Voight, best known these days as an outspoken MAGA acolyte, has his considerable talents on display as our protagonist’s Gardaí nemesis, the Nineties his thesp Indian summer. This and his barking turn in Anaconda (1997) is a mighty double bill I would recommend to anyone.
The black and white works, it’s frequently thrilling, and he’s a very funny character who maintains your interest.
Superb movie.
Wanderings and ... wonderings. 