Category Archives: Movies

Sleepy Hollow (1999).

This has quite the cast, and even Depp is tolerable, an actor who has always vexed me. The highlight from the crowd of mostly lauded thespians has to be Casper Van Dien doing a great impression of a bad actor – therefore playing himself. It’s funny because he’s in on the joke.

In this bizarre wee hamlet, the cinematography, art direction, costumes, and music run riot in a stunning visual and aural feast. However, it’s a hokey story not really worthy of the running time, and it sadly gets tiresome, its convoluted conspiracy trappings a bore. It defines Burton, a bloke always badly in need of a decent screenwriter. An unbridled love for Hammer horror will only take you so far.

Still, it’s all worth it in the end just to see Christopher Walken’s chiselled teeth.

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The Nutty Professor (1996).

I saw this so many times back in the day, but like Ghostbusters (1984), I only understood the simple gags and was oblivious to the allusions to an adult world; that, and I didn’t get the actual words the characters were saying because of my limited vocabulary.

It’s incredibly funny, and for a PG-13/12 certificate, quite shocking in the things it gets away with. It exists in that vast wilderness of terrible Eddie Murphy movies stretching 20 years to Dreamgirls (2006), as the only gem of the lot. Maybe he just couldn’t be bothered or genuinely thought he was picking the right material.

The sequel to this was inevitable. I’ve not seen it. The reviews were enough to put me off.

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Glass Onion: A Knives Out Mystery (2022).

The first one I recall was a highly entertaining bit of hokum, a Cluedo for the big (small) screen, but a trilogy of them?

The positives: Dave Bautista is a rarity, a wrestler who can act, Ed Norton is flawless as always, and Craig is perfectly fine in the role. He’s better suited (no pun intended) to this fare than Bond. He’s a camp Columbo and great at it.

I cannot stand the term ‘disrupter’. Imagine calling yourself that. These fuckers get deservedly mocked here.

Negatives: I had to watch it over the course of three days, such was my complete indifference to any of these ‘disrupters’ and any crime committed. It’s boring and I was bored.

And I don’t know who Elon Musk is. True story.

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Mulholland Drive (2001) is Angela Badalamenti’s “wow!”.

He was a bit unheralded, and he’s done more than Lynch collaborations, but this is the masterwork, a nightmarish descent into darkness. 1:40 in:

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The Final Destination (2009).

The Final Destination (2009), and I don’t know what number this is in the series. I’ve lost track.

Despite being, well, shite, they are perverse and disturbing and addictive as you know something is going to happen to these highly annoying folk and they don’t. 

Ascribing all of the blood and guts to Death than merely to the accidents of the world gives the franchise a sadistic edge, especially considering how unsympathetic and irritating the ‘characters’ are.

Get the popcorn out. Forget the tissues. 

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Bad Santa (2003) is the ONLY Christmas movie.

It’s beyond hilarious and it would not be made today; there would be riots in the streets. And the sad thing is that this ‘statement’ is true.

It’s a movie so funny, it knows it’s funny and takes the piss out of how funny it is.

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Oppenheimer (2023).

As trailers go, this one had me at … title. You just know it’s going to be a tasty affair.

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Dalton was 1989’s Liam Neeson.

Let’s get the epic quote out the way first:

“One: never underestimate your opponent. Expect the unexpected. Two: take it outside. Never start anything inside unless it’s absolutely necessary. And three: be nice.”

That’s a guide to life right there.

How to define a very good daft movie? It’s Road House (1989), the quotes ready-made for a dissertation, an ’80s tribute from the ’80s. And it’s so violently entertaining.

That Swayze mullet should be in a museum.

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The Wonder (2022).

The director here can direct like the bloke who constructed The Wicker Man (1973) can, and I’m not alluding to Nicolas Cage and “the bees”.

Quite the captivating drama this one, featuring the usual committee of elders/morons, the martyr lead, and your go-to religious allegories, but it’s done so well. It’s more watchable than Persona (1966), and definitely less irritating.

That’s it for the spoilers.

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Emancipation (2022).

It’s pointless. It’s boring. It’s a waste of your time.

Another bit of rubbish.

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