David Lynch – master of the surreal, pioneer of pastiche, maestro of the grotesque, visionary purveyor of all things weird, mood magic man, subterranean cinematic dreamcatcher. His movies were events, labyrinth journeys into the unconscious.
This deepfake stuff is going beyond the nonsensical and getting out of control. I’ve just seen one in which Tom Cruise replaces American Psycho’s Patrick Bateman for the infamous Sussudio homemade porno.
It’s creepy as fuck, not helped by the fact there appears to be a lot of Cruise in Bateman, and that in the novel both the sofa-jumping Scientologist and the Whitney Houston-loving serial killer share the same building and even meet in a lift (rather the hilarious scene).
There’s another one doing the rounds, Jim Carrey’s The Shining (1980) shtick. Appropriating images for YouTube vids, ruining the sacredness of classics. It’s pointless and crude, bedroom technology piggybacking off artistry.
And then we get into politics and porn, a rabbit hole of ethical discourse. The world would be better off with deepfake. Still, Tom Cruise as Patrick Bateman is inspired. Sorry.
Conceptual art is where the talentless can hide yet prosper, a contradiction laced with mountains of cash. You get these cretins taking shites on Pot Noodle cups or showing the world their unkempt sleeping quarters in an exhibition, equating the display as representative of the decline and all-round decadence of Western Civilisation. It’s poppycock. You look at a Rembrandt or a Caravaggio and think, “Fuck me, I wish I could paint that.” You view conceptual works and cringe that ivory tower society could ever even write copy about such meaningless garbage.
Here is my modern art masterpiece. It’s about the assassination of Archduke Franz Ferdinand. Enjoy. I expect to have this displayed in MOMA next year.