Author Archives: Ben Gould

Nicolas Cage and a pig ….

I was never sceptical that Nicolas Cage couldn’t do it, but when you hear ominous rumours swirling about of a movie consisting of Nicolas Cage trying to find his stolen truffle pig, I was a wee bit … concerned. But I shouldn’t have been.

Cage pulls it off with aplomb (of course he would have). He excels at normal-weird, if this makes sense. I define it as weirdness with an explanation. He’s a rather unorthodox actor, to say the least, but even in flicks ripe for garbage disposal, he’s always interesting.

Pig (2021) did surprise me. It wasn’t shit or pretentious or boring. It’s a curious wee arthouse number with Cage at the centre, occasionally losing his shit as Cage does, but ultimately all in service of the character. It’s no masterpiece but feels like it should be.

He just wants his pig back.

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Villain (2020).

Shockingly not shit and occasionally great, Villain (2020) isn’t a make-believe gangster movie with fake tough guys à la Guy Ritchie. It feels real. And that’s down to the understated performances and the atmosphere of simmering menace. And the fact it’s actually shot with competence and not edited to within an inch of its life.

Craig Fairbrass has been around for decades and I never thought him a bad actor and he does have a physical presence. But I never knew he had this in him. He’s not his usual direct-to-video/straight-to-streaming lead here; it’s a long-awaited starring role in a proper movie that isn’t balls. The Rise of the Footsoldier movies, and I’ve lost track of how many of them are kicking about now, have their moments of entertaining mindless carnage but enough is enough.

I’ve never seen the Richard Burton film from 1971 and I don’t think it has anything to do with this. I won’t bother myself with it.

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The Power of the Dog (2021).

This was magisterial and a joy to watch. It’s not exactly a ‘fun’ movie but it’s captivating in its sincerity and … power. There’s a sense that at any moment something awful could happen, and that’s mostly down to Cumberbatch, who is as unpredictable as he is scary. His Phil Burbank recalls Daniel Plainview in There Will Be Blood (2007), and The Power of the Dog is quite similar to that seminal film in atmosphere and lurid landscape.

Don’t be expecting a knockout punch moment because it’s not that kind of movie, more a series of jabs, each progressively harder.

A strong contender for film of the year.

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Seinfeld is an addiction.

And it’s still very much unique. These characters don’t learn anything, no ‘life lessons’ or any of that. They simply go from episode to episode trying to make sense of the Manhattan cultural lexicon. There’s something kid of refreshing and honest about it, and unlike Friends it doesn’t resort to a cheap pulling of the heartstrings. It’s also way funnier.

Thank you, Netflix.

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Obligatory annual Waverley snap.

Best job I ever had. My duties consisted of putting ramps on trains, turning off my radio and hiding in the ScotRail toilets whenever there was a crisis, and occasionally pointing an annoying member of the general public in the wrong direction or directing them to an incorrect platform if they vexed me.

Brilliant times.

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Somewhere in Leith.

Everything is a little out of focus. Robin Williams in Deconstructing Harry (1997) inspired me.

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