Tag Archives: Superhero

Glass (2019).

A surface-level bog-standard thriller with a bit more to it, recalling the gnarly Unbreakable (2000), sans that peculiar score fished from a ghetto’s gutter. It was the James Newton Howard one; he sounded like DJ Shadow with an orchestra back then.

An apparently ‘normal’ superhero (Big Brucie Bonus) doing the legwork and the nitty-gritty, with barely any quips and facepalm-inducing one liners. 

And this was pure rubbish but not … that bad. And it’s thoughtful in a way, institutions and their ingrained sordid ways given a bit of the Cuckoo’s Nest treatment.

Bruce is the best as always, and Bruce has been missed. Mace Windu is also here with us, a lad incapable of bad acting. Sarah Paulson runs the ward/show, though, an outwardly reasonable yet diabolically cruel gaslighting specialist. She excels at the Nurse Ratched role.

We also have a preposterous chat between a security guard and a low-level charge nurse (or whatever). It’s so accurate in depicting that moment when a gremlin is spraffing a life lesson to you, stuff you already know, but you are compelled to nod and pretend to be absorbing new information as they are in a position of authority. It’s every job I’ve ever had and you must endure the torture. 

I’d recommend this film. The reviews out there are a bit scathing. Don’t believe them. 

It’s not crap and I’m always correct. 

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The Batman (2022).

The definite article annoys me. I don’t like it. At all. Anyway, the movie:

It’s all very well designed and shot. The music choices, from Nirvana to what sounds like a variation of ‘The Imperial March’ from The Empire Strikes Back (1980), are inspired, and a car chase respectfully lifted/stolen from To Live and Die in L.A. (1985) works as well as anything in the Batman canon.

You get to see the lad actually doing detective work, and the role of that nefarious news media we all know, think we need, and varyingly hate is given proper weight in the narrative. It drags a wee bit towards the end, but that’s to be expected with this fare. It’s … interesting. Not bad at all.

And Andy Serkis is a fabulous actor. He’ll most likely be canonised for Gollum and a raging gorilla, but he’s just as good as a human. Most actors are garbage yet succeed because of market forces. The bloke with the Gollum voice needs a leading role. 

If Seagal can make it, Gollum can. 

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Spider-Man 2 (2004) revisited.

I didn’t think much of this upon a first viewing. Time, or the slew of shit since – mostly of the multiverse variety and endless remakes and reboots – has been kind to the exceptional Spider-Man 2 (2004).

Gripping action scenes with three-dimensional characters in the mix, an almost total lack of the usual highly irritating in-jokes that feel out of place, scenes with actual emotional heft, and comic strip transitions that work.

Alfred Molina should have been in more stuff after this, the next go-to über-villain.

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