Tag Archives: Spielberg

Close Encounters of the Third Kind (1977) is a slog.

Saw this for the first time in decades and bloody hell is it dull. It’s just so boring, which I find rather mental because it’s about UFOs and all that, and Spielberg is a master craftsman. It’s shot here like a TV movie, its depiction of suburbia painfully tedious. Even when the weird-looking critters arrive at the end it’s underwhelming. The only curiosity to be found is the casual appearance of François Truffaut, who is eminently more interesting than those around him.

Something else bothered me about it. It’s so naive, with government agencies portrayed as even being benevolent. What a weird decision, this just after the twin calamities of Watergate and the American involvement in the Vietnam War.

Never watching it again and I do not understand why it’s lauded.

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Phil Collins is in Hook (1991).

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I am fistpumping like Nadal today because I reached the magic 10. That’s 10 folk to whom I’ve now disclosed the crucial trivia that Phil Collins is the cop in Hook (1991). It took me until the age of 28 to realise this. It was a Saul on the road to Damascus moment.

Phil Collins immediately elevates a film a couple of stars.

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Jurassic World: Fallen Franchise.

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Jurassic Park (1993) was the Jaws (1975) of the ’90s, another Spielberg game-changer, the apogee of the ‘blockbuster’. We’re five movies into this franchise now and the apple has fallen very far from the tree. I couldn’t believe the shit I was watching in Jurassic World: Fallen Kingdom (2018). The picture gave the appearance of having nine different screenwriters, and all of them penning scenes from a crèche. And it’s made a fucking fortune. And there will be another one released before the end of a decade. Everything’s a copy of a copy of a copy. Dinosaurs are fairly captivating; they are getting lazy coverage in these movies.

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