Tag Archives: Netflix

Sep 14 2023
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Art, Technology, Television, TV, TV series, United States

Beef (2023-).

Anxiety, extreme pettiness, and cascading psyches in the suffocating urban nightmare that is modern living, which is a mission at times. You really don’t know what might happen next in this show, and it has a Magnolia (1999) quality to it. The last two episodes approached the ludicrous but then I did consider the overwhelming evidence that these rivals frequently teeter on the barking mad classification, so it all sort of works.

And where would these series be without smartphones? I suppose it’s an accurate reflection of things. 

Black comedy with some pathos, and it doesn’t outstay its welcome. Better than most offerings out there.

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Jun 26 2023
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Building, Crime, Television, TV series, Uncategorized, United Kingdom

Waco: American Apocalypse.

Another week, another slice of Netflix mayhem, this series says a lot about the power of cults and how disturbed, megalomaniac manipulators make it to the top in these organisations.

A docu of a pre-digital age, the vintage nature of analogue broadcasting and videotape puts it in another century, which it is, but it’s no less contentious because of it. By default, one of its major concerns is the news media’s obsession with and reaction to havoc, co-dependent symbiotic twins. The Second Amendment is surprisingly given little focus, nor is just how this fits into any broader narrative of Carnage Americana.

Decent enough as a basic history lesson.

Waco, more like WACKOS (plural).

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Jun 14 2023
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Art, Documentary, Uncategorized, United States

Arnold.

I personally find him extraordinarily inspirational.

His ego must be bananas but it’s justified – he started from zilch and made it to the summit through body and mind. I would buy him a pint. I’d vote for him also. 

Despite some big boo-boos that he openly admits to, he remains the definition of hero. 

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Mar 16 2023
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Air travel, Planes, Tourism, Travel, Uncategorized

MH370: The Plane that Disappeared.

Malaysia Airlines Flight 370, the modern aviation mystery, continues to baffle.

This three-part doc has actual substantive interviews plus it explains the mechanics and technology of air travel that the lay person may not know, with an expert use of graphics twinned with a non-repetitive visual style.

My personal opinion on the whole affair? There should be some kind of remote override in which 12 wise men in a room can take control of the cockpit if a loon decides to take his … ‘looniness’ out on the passengers. 

Pilots have too much power and need stripped of most of it – how can any one person have the overriding authority to depressurise a cabin? 

This is all regardless of whether the MH370 lad did it or not.

Still, no one knows for certain and most likely never will.

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Mar 09 2023
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Crime, Film, TV, TV series, Uncategorized, United Kingdom, United States

Madoff: The Monster of Wall Street.

A surprise.

If you wish to see a labyrinth of corporate greed which the financial lay person (me being one of them) can almost understand, then this is one limited series for you. 

It’s an addiction. And this is in spite of the cringe slow-motion visuals every other minute of a Madoff doppelgänger circling his office with the same rictus grin, a “financial serial killer” in his element.

As a history lesson, it’s impeccable, and none of the willing participants are let off lightly.

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Jan 30 2023
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Art, Fantasy, Film, Music

Love, Death & Robots.

Sonnie’s Edge from season one of Love, Death & Robots, a truly spellbinding visual feast. This was something else. And I don’t just mean the Glaswegian ring announcer. Animation done right.

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Oct 30 2022
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Art, Cinema, Film, Movie, Movies, World War One

All Quiet on the Western Front (2022) is a terrible movie.

The 1930 original is an exercise in magisterial technique. You watch it and marvel how it was put together.

Whether the technique fits the script – most films fail at this – has always been an issue for your reviewer, and as we’re talking about WWI films, the pointless 1917 (2019) is an infuriating venture into needless aesthetics. 

Sadly, I hated this movie. It was the definition of mawkish and naive, the soldiers wee gullible pups with identikit snarling chops, marching about with big gormless grins on their proposed way to Paris. It was embarrassing to view. NO ONE behaves like this, and indoctrination isn’t that effective.

The score – annoying drums for no reason, interrupting the drama which could have been – was not good at all.

I also found it funny how the teacher looks the exact same as the Wilhelm II verbal-shagger from the Lewis Milestone corker – pathetic!

It’s a truly rubbish movie, a veritable Pick ‘n’ Mix of cliches and embarrassing reworkings of tropes from far superior fare.

I lost a lot of interest in all developments and contemplated my next viewing of Paths of Glory (1957).

Don’t bother with this.

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Sep 29 2022
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Art, Cinema, Film, Movie, Movies, Technology, Uncategorized, United States

Blonde (2022).

Andrew Dominik made Chopper (2000) and The Assassination of Jesse James by the Coward Robert Ford (2007), so I’ll watch anything he makes, despite a batch of bad reviews for this one. I don’t know what these critics are on because this movie is dazzling from the get-go, an opening sequence featuring a Golden Age Hollywood in flames.

It’s a fascinating, absorbing watch, and you’re pulled right into the tapestry with the magnificent sound editing and cinematography, Dominik a master of his canvas. And it’s one dark canvas, Monroe a bullied, manipulated, tragic figure, less a character than a metaphor for Hollywood itself. I can see why so many folk hate this movie – it’s realism at its most brutal, the myth busted.

How to summarise it? An NC-17 anti-biopic with more visual treats than most of the crap pumped out by the system it lambasts.

I’ll be watching again in a few weeks.

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Sep 24 2022
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Cinema, Crime, Film, Movie, Movies

The Gray Man (2022). Daft and dull as hell.

This felt like it was seven hours long and not in a good way. It was a series of relentless explosions and fisticuffs all shot through with no imagination and zero need for any of it to be happening. Sometimes with nonsense like this fare it can be a lot of fun, but not here.

The mammoth budget is shocking (what a waste), but the most irritating thing was the totally charmless Chris Evans’ attempt to make himself interesting by having a silly moustache. It’s even commented upon in the movie in a rare moment of self-awareness.

I don’t even know what this was even about (a stolen disc or something). So boring, the highlight was that most of the scenes reminded me of far superior movies.

Pish.

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Aug 30 2022
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Art, Crime, Technology, Television, TV, TV series, Uncategorized

Ozark – another eventual letdown.

It started so well and the jam they are in certainly has its enthralling moments initially but the series soon ran out of ideas, each successive sticky situation more risible and repetitive. Though the characters remain credible, their incessant switching allegiances started to grind my gears, and so too did Laura Linney’s Lady Macbeth impersonation; probably the most embarrassing I’ve seen, I’ve been more terrified of an unflushed shite in a KFC.

There isn’t really anyone worth caring about, especially as they all get increasingly Walter White. Unlike Breaking Bad, this, aside from a bit of Harris Yulin banter, is bereft of humour of any kind.

The most vexing: the characters’ addiction to addressing one another by name EVERY FUCKING SENTENCE.

“Listen, Marty.”

“I am listening, Wendy.”

“I don’t think you are, Marty.”

No one speaks like this.

Like the later seasons of House of Cards (US), I lost interest in everything so committed the Wikipedia thing.

No regrets.

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