Vivid, vibrant, and violent, a landmark movie that doesn’t only just work as an animated movie to be treasured. The action is an extravaganza and the story and word-building a dazzling combo.
Not for kids, though, who should stick to dwarfs and magic carpets.
A big fuck-off building somewhere in a futuristic metropolis.
‘Tagged’ in one of those ‘memories’ things yesterday on one of our omniscient social media platforms. This snap entered the lexicon a good half a decade ago. How time flies.
The best adventure (thus far) with the holiday lads. Absolute carnage twinned with culture. Tokyo is an extraordinary place to see and experience. In no other country have I felt as if I were on another planet. It’s old and new, a hundred years ahead yet still The Last Samurai (2003). Imagine coming home to Gorgie (Edinburgh semi-ghetto) after this esoteric sojourn.
Japan, I will see you again. But not yet. Not yet. We’re (‘The Unit’) going back, though. And this photo took an hour. I had to sit down afterwards. It’s all about the little details.
P.S. I obscure faces because I know how the world works.
Saw this in the cinema when I was 16 and thought it was incredible, my generation’s bit of peak Bertolucci or something. It’s been a long hiatus but I caught it again the other day. My god, it’s fucking appalling, an arty-farty piece of silly, trivial gibberish, and unbelievably racist. The characters are one-note, self-obsessed twats, and the picture depicts the Japanese as a mass of hysterical idiots. About 20 minutes in I couldn’t believe what I was watching. It’s concocted anthropology à la Nanook of the North (1922). Never again. Sad!