It’s been so fucking long, and Blackhat (2015) so unmemorable as to make the wait feel … much longer.
Welcome back, Michael Mann. I’m sure you’ve never been away but a trailer from your immense talents hasn’t been dropped for quite some time.
I have faith in you. I’ve read/seen your résumé many, many, many times.
High hopes for this one.
I know absolutely zilch about cars – I cannot drive one, have never possessed and never will have any interest in them, and cannot fathom sharing the same road with so many dafties. I see a lot of these ‘boy racers’ congregating in supermarket car parks, revving their engines and taking selfies. The mind boggles. It’s one of the many reasons why I scratch my head at these Fast & Furious films. Utter shite. I just don’t understand the appeal.
This movie transcended the ‘car fetish thing’, however. Mainly because the topic is merely a foundation for broader themes and character dynamics. Ferrari here are the urbane, suave totem of Italian sophistication; Ford, the bog-standard symbol of production line Americana. And in another example of what we now call ‘globalism’, the Yanks want a bit of the prestige and to shake off the crass tag.
Christian Bale’s Ken Miles is an affront to the company men presided over by Tracy Letts’ Henry Ford II, the monolithic Ford Motor Company no institution in which to showcase one’s maverick inclinations, yet Miles finds a way through pure undiluted talent. It’s another absurd yet captivating Bale performance, the highlight of a movie in which nothing annoyed me even though it’s ostensibly about cars.
Well done.
Further reading/viewing:
https://time.com/5730536/ford-v-ferrari-true-story/
https://www.rogerebert.com/reviews/ford-v-ferrari-movie-review-2019
Wanderings and ... wonderings. 