Category Archives: Vietnam

Platoon (1986) is almost ruined by its voice-over, but it isn’t.

It’s entirely and totally unnecessary, and the only explanation I can find for it is that it’s a relatively inexperienced director without the confidence to let his characters demonstrate what he’s trying to get across; they even do this without the voice-over.

It’s the single most pointless use of a character’s narration ever, yet the film succeeds despite of it. That’s the sign of a great movie.

And what the hell happened to Tom Berenger? He should have graduated to the status of a menacing Paul Newman, or at least a top-drawer character actor. But he didn’t.

Beguiling.

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Tigerland (2000).

A movie exclusively dedicated to Vietnam-era boot camp.

How did the director of Batman and Robin (1997) make this? But then again, he made Falling Down (1993) and The Lost Boys (1987). ‘Gritty’ gets overused in cinema and reviews of cinema, as if it’s a shortcut aesthetic to a decent film, but here it is decidedly gritty but for a reason and it works. It had to take the gritty approach; the opposite take on basic training is Kubrick.

Farrell is so natural and just … quality. Apparently, he auditioned for a boy band before plying his trade as an actor? I’m so glad he failed at the former. The rest of the cast: all excellent, and it’s rare to see each actor perfect for the role.

Proper drama, a gritty drama.

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I hated The Deer Hunter (1978) so much.

It’s so unnecessarily long-winded and frankly pointless.

I’m struggling to think of a more eclectic display of moronic and wholly unsympathetic characters in a motion picture. Everything about them is annoying; they are smug, boring, stupid, and generally just excruciating. It’s universally described in the reviews of the time as being “epic”. This consists of a few wide-angle shots of mountain landscapes in order to paper over thin characterisation; mountains act as filler.

Yet despite occasional David Lean pretensions it’s so inept from a framing perspective. Every scene is astonishingly horrible to look at, an ugly beast shot with all the artistry of a severely undisciplined student movie; there is no syntax to scenes or reason behind shot decisions. It’s a fucking mess. Vietnam has never looked so anonymous. What else? The score pissed me off. It screams of folk feeling sorry for themselves. Which is the essence of the film.

As for the famous Russian Roulette scene – who cares?

I don’t.

Absolute shite.

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Forrest Gump wasn’t complete shite.

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Forrest Gump (1994) is without qualification the cheesiest, corniest, most simplistic depiction of the American Experience and the ‘everyman’ possibilities within the shebang, the movie a ’90s version of Being There (1979) without the wit and pathos. Gump has been labelled a conservative’s wet dream – live like Forrest, i.e., be respectful of authority, drug-free, don’t question your surroundings, and you’ll succeed despite your worryingly low IQ. Wander Uncle Sam’s peninsulas in the manner of his perpetual unrequited love Jenny, by all accounts a free-spirited hippie/druggie sex bomb, and you’ll kick the bucket. There’s something of the ’94 Republican Revolution going on here.

It does, however, work as an elementary and indeed extraordinary introduction to the second half of the 20th century. I knew literally nothing of even the existence of the following until I saw Forrest Gump in 1996 two years after its release: Presidents JFK, Lyndon B. Johnson and Richard Nixon, the Vietnam War, Watergate, the song San Francisco performed by Scott McKenzie, The Doors, Elvis, John Lennon, the Black Panthers, and the virus popularly known as Aids. True story. Primary School taught me none of these things, but I did memorise a lot about Henry VIII ….

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The movie has little commentary on any of its historical snippets, such is the processional structure and concentration on scope over depth. It does abridge, though, forty-odd years of American history in a running time of 2:22:09 minutes in a Zelig-like visual glossary. Without Forrest Gump, I would have had to watch five more ridiculous films. Thankfully, I didn’t.

It’s not that shite.

Cheers, Forrest.

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I am a travelling slob.

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On every one of my wee city adventures I have pre-trip visions, grandiose plans for culture, a desire to immerse myself in the local community, a wolf in the sheep pen (something like that).

All I ever end up doing is getting fucked up and sitting on my arse. A ten-minute museum cameo and I’m back to the pub for another intake of liquid delights. Sometimes I think I’d be better off just staying at home, necking Lidl’s own-brand Scotch from the bottle whilst furiously wanking away to Apocalypse Now (1979).

This snap defines my ‘adventures’. Copenhagen in spring. Winning (maybe).

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Loan and Lém. Saigon, 1968.

If ever a war produced a ‘Decisive Moment’ it’s this Eddie Adams Pulitzer-winning shot straight from the vanguard of photojournalism.

Nguyen Van Lem; Bay Lop

South Vietnamese General Nguyen Ngoc Loan, chief of the National Police, fires his pistol into the head of Viet Cong officer Nguyen Van Lém. Saigon, Feb. 1, 1968.

The image has always stayed with me. It spoke of brutality and a stark disregard for human life; it’s one pretty good encapsulation of death, pardon the oxymoron. I always assumed it was an indiscriminate execution until I read an Eddie Adams obituary article a few years ago.

Lém, the photograph’s victim, had just killed South Vietnamese Lieutenant Colonel Nguyen Tuan, his wife, their six children, and his 80-year-old mother. Loan was a personal friend of Tuan and his family.

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Given this informational context, I view the photograph differently. However perverse this may be, I see Loan as the victim and Lém as the perpetrator. Alternatively, I see the photograph as a tabula rasa.

Loan fled South Vietnam during the fall of Saigon, and subsequently moved to the United States, opening a pizza restaurant in Burke, Virginia. He retired in 1991 after his identity was disclosed.

Adams later apologised to General Nguyen and his family for the effect the photograph had on his life.

Further viewing: https://m.youtube.com/watch?v=bst9mjjiBBo

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