Nothing else to report, really. The main outcome of the weekend was a general consensus that Cobra Kai is better than The Karate Kid (1984).



Nothing else to report, really. The main outcome of the weekend was a general consensus that Cobra Kai is better than The Karate Kid (1984).

In the midst of a global pandemic as it grabs peak humanity by the testicles, I sat down to watch 12 Monkeys (1995) again after a decade-long hiatus. And what smashing, thought-provoking, thoroughly enthralling sci-fi it is, a Terry Gilliam movie that isn’t uneven and all over the place, which basically makes it an anomaly. 1995 was kind to movies, and Bruce Willis was at his peak in the year of the Eric Cantona kung-fu kick.
There is a mind-blowing scene in this set on the Western Front during WWI; it is so magnificent that it almost derails the rest of the film. However, the character dynamics and pacing manage to keep it together and build to a stunning denouement, that and the inspired Vertigo (1958) references.

And this is one of the few movies that actually depicts people in ‘mental hospitals’ or ‘institutions’ as actually having meaningful, occasionally profound insights into the peculiarities of the social order.
And seek out its art-farty precursor La Jetée (1962). It’s definitely not shite.

Based on the 1996 Mount Everest disaster, this is your generic retelling fare. I hated this movie, utterly hated it. The picture comprised an array of rather irritating archetypes feeling very sorry for themselves because they experience the harsh elements on the highest mountain on the planet. There is no drama to proceedings at all because they are barely characters and get what is coming to them. Like, what did you expect? It’s Mount Everest, not an indoor climbing centre.
What the fuck even is a ‘guided climb’? I do not understand why it is even legal. There is a quote from the only semi-interesting ‘character’ in the movie (the redoubtable Jake Gyllenhaal) which is something like, “If you need help getting up the thing you should not even be here. “
I like the sound of that and it is a rather universal statement which applies to any endeavour. The movie looks nice – well shot and framed. It’s just pointless, a fawning ode to stupidity.
Avoid.
Further reading:
Back in the ‘wild camping’ game again; there is zero point flying to another country during this infinite pandemic so instead I have opted to crawl around in the dirt, eat cans of tuna in a £16 tent, and shite daily in the woods. It has all been strangely liberating, and I feel so adventurous on a primordial level.
Here are the highlights of the weekend’s episode:






Another wee throwback to the good ol’ days.
No masks, gloves, or hand sanitiser were harmed during the production of this photograph, though a wasp did sadly meet its demise in my glass of … whatever concoction that is.
Like almost every item from the travelogue, I cared little for this place when I was there. Nostalgia is a powerful thing.

One of the very few cases (I wasn’t alive during the bombing of Dresden circa 1945) of rubble being more aesthetically pleasing than the shopping centre that was previously stood there … gawking at folk. It was Medusa in building form.
A horrible thing.