Arty-farty pretensions with this snap from Monday. Interestingly, there’s a graveyard coming up on the left there and I once saw a (presumably hammered) woman clutching a bottle of budget cider wander inside and take a shite in a bush.
I’m in here twice a week now in the afternoons. Unfortunately, I’m not getting plastered; I just take my wee lunch break in the dwelling and get stuck into a full fat Coca-Cola and do the Metro crossword and experience Coronation Street flashbacks. I’m surrounded by miserable loners, mostly old codgers in flat caps who speak very few words but scowl non-stop at everyone and everything. My kind of people.
I try to avoid my former place of work these days because the experiences – which belong to what I refer to as the East Coast Epoch 2010-2012 – were so epic. Not epic like a Wagner-infused helicopter attack in Apocalypse Now (1979), but something a little bit more transcendent – the comedy and the banter. And I’ve never seen so many fruitcakes in all my life. Public spaces involving transport are microcosms of society. People are nuts.
My fondness for The Waverley is probably nostalgia, pretending in retrospect it was more enjoyable than it was. But it’s like that with most memories; time adds gloss to the mundane. I do, however, know more about trains than any topic aside from the drug and dietary habits of Adolf Hitler. So there’s always that.
This video (gone viral) nails the Edinburgh Festival Fringe. Whoever made it, kudos.
Personally, I’ve always despised the thing. It’s merely an invitation for dumb-as-a-stump tourists to clog up the streets and gaze at the castle with this eternally perplexed idiotic expression as if it were an alien spacecraft. The drinks prices go up, the shows are a shower of shit, and there’s a 400% influx in the number of scruffy art student wankers congregating on street corners like pseudo-bohemian jackals, sharing their very limited ideas (like taking a dump on a canvas) with anyone who will and won’t listen.
We don’t need them. I am not aware of anyone who lives here who actually enjoys this pish. We just tolerate the circus because apparently it brings the money in. I doubt that.
Visions of A Clockwork Orange (1971) every time I run the Balgreen gauntlet for the tram to York Place, Alex DeLarge and his droogies bashing in a poor drunken hobo for kicks. Such ultra-violence has probably happened half a dozen times in this foreboding underpass, but without the costumes and long eyelashes.
Calton Road this afternoon. It struck me today that I’ve never once snapped this Mark-Renton-gets-run-over spot, the manic laugh he offers to the driver an iconic snippet from Trainspotting (1996).
I was an employee (an actual ‘trainspotter’, no less) of East Coast Railways a decade ago and used to sneak out the back of Waverley Station to this Renton hideaway for a cheeky fag and a can of Monster, my walkie-talkie in hand just in case my absence was noted. Come to think of it, 30% of my ‘working day’ consisted of either this filmic interlude or listening to Kanye West tunes in the ScotRail bogs.
“Where are you?”
“Just having a shite, I’ll be on the platform in a minute.”
Took this snap with a Tesco Hudl tablet hoisted on a wee micro tripod, crawling on the floor as some tourists stood bemused at my ‘antics’. It was during this moment that I recalled a troupe of Americans got stuck in the monument’s staircase on their attempted ascent to the top. It was Edinburgh’s own version of In Bruges (2008). What a hoot.
Situated on the Royal Mile and in its current incarnation dated from the late 14th century, I’ve walked past it roughly 6,000 times yet have never been in the fucker. My reasons are multifarious, but one of them is that I don’t enjoy the manipulation, i.e., architectural determinism, of it all. The splendour I can enjoy from afar. Some find a solitude in churches; I just have visions of the terror they’ve inflicted, and this presently includes the tractor beam that pulls in hordes of cretin tourists. Sorry not sorry.