Category Archives: Film

Nil By Mouth (1997)

 

51RCE5V6KFLWith Gary Oldman tipped for his first Oscar after rave reviews for his impenetrable Churchill craic in Darkest Hour (2017), I watched a few of his most lauded performances, coming away from The Firm (1989) and Tinker Tailor Soldier Spy (2011) especially impressed. It was Nil By Mouth (1997), however, this his directorial debut in which he doesn’t star, which most remained.

I first saw it in 2002 at the recommendation of a classmate who broke 9/11 to me. It was because of such profound importance I attached to his statements that I rented (R.I.P. Blockbuster) this grim, thoroughly … grim movie. I’d seen Scum (1979), another Alan Clarke bit of Ray Winstone savagery, and Mike Leigh’s Naked (1993), but this was something else.

Despairing portraits of working-class life back in their Saturday Night and Sunday Morning heydey were always suggestive rather than explicit. Stuck-in-a-rut characters had their transient pleasures and, dare I say it, trivial pursuits. The Nil By Mouth (1997) equivalent to Albert Finney’s beer binges appears to be calamitous drug use, domestic terror, and injecting heroin in the back of a dirty van. This is a movie with no regard for aesthetic polish or even entertainment – it reminded me of one of those socially conscious photographs (Dorothea Lange) of the Great Depression or the slum tenements of New York in the 1890s.

I would skip the popcorn when watching Nil By Mouth (1997).

Further reading:

https://www.rogerebert.com/reviews/nil-by-mouth-1998

Full movie:

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Medieval globetrotters.

Concerning us riff raff in the Middle Ages, I pictured some plonker of my age birthed in a ditch and travelling in a lifetime no further than 30 miles from that manky hole in the ground. That was my preconception of life as a shackled-up member of the peasantry.

The thing is they *did* travel – it was an arduous, unforgiving task fraught with more dangers than a Saw movie, but there were, as recent research has illustrated, plenty of people who embraced the unknown and left their ‘shitholes’ simply for the pleasures of the destination, the exhilaration of seeing new things. The Canterbury Tales were ‘real life’.

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I’ve yet to see a film forensically shed light upon the dangers and pitfalls of travelling in the Middle Ages – how it was done, the ordeal of the whole escapade. Imagine plodding hundreds, even thousands, of miles in heavily armed groups to reduce the dangers, the only knowledge of your destination that of hearsay, not a single image preparing you for the place.

Cinema needs a cracker about a penniless tradesman slogging it solo across all manner of mayhem, ‘Edmund’ from a Lancashire hovel on his epic mission to Florence. Ridley Scott’s Kingdom of Heaven (2005) is the only flick in recent memory that with verisimilitude depicts some snippet of the gruelling nature of travel back in the dark days, this the late 12th century of the crusade and the crucifix.

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I have this image of your stock member of the rabble doing anything to escape his lot (‘Nastybrutish and short‘), the grasping of even the most remote of opportunities, a former serf, now peasant, off exploring sans the protection of his noble.

I’ve met so many folk in Edinburgh who simply have no interest in seeing the world. It’s not their oyster; it’s an irrelevance. The sense of haughtiness applies even at the micro level – “Why would I want to sample Aldi when I have a Lidl on my doorstep?” Today’s by-choice non-travellers are a carbon copy of our image of the medieval peasantry. Either through poverty – a simple economic inability to explore – or through a self-cocooning belief that other places don’t belong to them, a large swathe of our populace travel proportionally less than their medieval counterparts. I don’t get it. Perhaps staying put it just easier and that’s the only explanation for it.

The dangers of travel are immeasurably less than in, say, 1418, yet the fears of tragic happenstance metastasise in the mind – pervasive news media can really pump the fear. It could be you on that AWOL Malaysia Airlines flight.

In a digital world which comes to you, there is less need to seek out the exotic. Video games and virtual reality are the modern-day pilgrimage, Amazon and eBay the trip into town.

Further reading:

http://www.historyextra.com/article/culture/medieval-tourism-pilgrimages-and-tourist-destinations

http://www.oxfordbibliographies.com/view/document/obo-9780195396584/obo-9780195396584-0102.xml

http://www.bl.uk/onlinegallery/sacredtexts/luttrellpsalter.html

http://www.historyextra.com/feature/medieval/10-dangers-medieval-period

https://www.amazon.com/Trade-Travel-Exploration-Middle-Ages/dp/0815320035

 

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The Central Park Bird Lady.

In every park in every city there’s an initially creepy but ultimately benevolent bird lady with a heart of pure gold. Please pass on a turtle dove (and some shampoo) to your resident hobo this Christmas.

N.B. The Bird Lady – her life story up until meeting Kevin McCallister – really should have been a movie prequel.

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The Room/Disaster Artist.

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Making art from … art?

The Room (2003) is fucking atrocious, there’s no denying it. And now we have The Disaster Artist (2017) – essentially the making of that train wreck – opening to rave reviews.

The former’s enduring fascination for audiences – and some of these cult fuckers have a drinking-the-Kool-Aid vibe about them – rests on the premise that no matter how appalling the picture is it warrants more repeat viewings than any other shitter out there in film history. It appears, in its apex moments, a movie made by an alien – that this alien had a crash course in filmmaking and declared itself the Orson Welles of the cosmos.

The Room (2003) is art, even more so than anything Andy Warhol ever shat out. Ed Wood (1994) is for me its paramour. A double-bill for the ages. Cinema gives us such lovely treats.

Further viewing/reading:

https://www.theguardian.com/film/2017/dec/01/james-franco-the-disaster-artist-hollywood

http://www.vulture.com/2017/12/the-disaster-artist-an-oral-history.html

http://www.nme.com/blogs/the-movies-blog/the-room-quotes-2113071

 

 

 

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Happy Birthday, Martin Scorsese.

martin_scorsese_by_toast77775 years old today. Pioneer, maestro, legend. Keep the masterpieces coming, bro. X.

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Fountainbridge Marina.

Edinburgh does have its wee accidental allusions.

Gioachino Rossini’s The Thieving Magpie enters my noggin every time I slo-mo stride along ‘Fountainbridge Marina’, a singular image of Alex DeLarge and his droogs syncing to another Kubrickian vignette. Kubrick infects everything, cinema’s supreme stylist.

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‘As we walked along the flatblock marina, I was calm on the outside, but thinking all the time. So now it was to be Georgie the general, saying what we should do and what not to do, and Dim as his mindless greeding bulldog. But suddenly I viddied that thinking was for the gloopy ones and that the oomny ones use, like, inspiration and what Bog sends. For now it was lovely music that came to my aid. There was a window open with the stereo on and I viddied right at once what to do.’

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Your fugitive’s name is Dr. Richard Kimble.

“I didn’t kill my wife.”

“I don’t care.”

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The Fugitive (1993) still holds up today, a thousand action-thrillers on. It’s now widely considered the benchmark for the ‘smart’ popcorn movie (big name star, TV source material, Oscar pretensions). There are spectacular set pieces here but it’s the intelligence of the script and the care in which the characters are sculpted which first captivated audiences. The battle of wits between the two leads and the obsession with which they pursue their agendas is like Maverick vs. Iceman but without the fighter jets and a volleyball scene. Well, perhaps a more mature version.

I saw it the other day for the first time in a decade and I was struck by how mature the film is, how it doesn’t pay lip service to target audiences/demographics. It’s simply a wrongly accused bloke on the run, but these are humans and not cardboard stock characters.

Stylistically, there is one sequence which dominates. A film lecturer I had at university showed us it in class as a textbook/expert use of montage, how a sequence so brief can cover so much crucial plot information. It takes your average modern-day movie an hour to cover what’s done here in under five minutes:

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Blade Runner 2049.

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Seeing this Blade Runner (1982) sequel was like rendezvousing with old friends after a long hiatus and then finding your erstwhile chums to be far more successful than yourself – it’s quite possibly a better movie than the early eighties game-changer.

Throughout this extraordinary movie I was reminded of Inception (2010) in how this picture treats the concept of creating your own world within a matchbox apartment, which isn’t a risible view of the future but a contemporary reality. We create our own worlds within our private spaces, and with your rudimentary Wi-Fi and laptop any engagement with the outside circus is taken care of. In the Los Angeles of 2049 you have an absolute toilet (the go-around adjective appears to be ‘dystopian’) of a city yet within one’s four walls anything is possible.

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There are scenes of such beauty in this movie that I’ve seldom seen in recent cinema – aesthetics married to a purpose. So often these days I sit gobsmacked at the constant artillery barrage of nonsensical flicks consisting of nincompoops in capes saving the world. Ridiculous gibberish.

Anyway, you must see this film. Harrison Ford and Ryan Gosling in the same movie. What a time to be alive.

Further reading/viewing:

http://www.telegraph.co.uk/films/0/blade-runner-2049-review-spectacular-profound-blockbuster-time/

http://www.wired.co.uk/article/blade-runner-2049-denis-villeneuve

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Boozing in Ljubljana.

I was watching The Beach (2000) again the other day and this quote by Leonardo DiCaprio’s character struck a note: ”I just feel like everyone tries to do something different, but you always wind up doing the same damn thing.’

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It’s true. Everywhere I go I gravitate towards the usual treats I enjoy back home – it’s like rote learning. Why explore the nooks and crannies of the local community when you can do the same thing you do in Edinburgh? Guinness galore. I couldn’t even be arsed inspecting that castle thing because I was too busy drinking and reading the internet.

Good times.

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I was on a plane with Don Logan.

Ever seen Sexy Beast (2000)?

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I thought he was going to ground the flight for smoking.

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