Tag Archives: TV

These soaps need to die.

I was watching a soul-splintering episode of such cretinous drivel earlier, this viewing not of my choosing, me the captive audience.

It entirely consisted of a ‘character’ with a stubborn point of view being talked into having an apostate opinion by another ‘character’ doing the convincing. This happened four times in varying damp scenarios in under half an hour, and the rest of the ‘drama’ composed of pratfalling village idiots faffing around with mugs of tea and biscuits, these additions to the narrative just a tiny step above the bracket of lobotomy IQ levels.

Absolutely fucking hideous, how these shows still exist is just depressing.

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Monk.

Informing everyone that Monk is now on Netflix and it isn’t shite.

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Peep Show.

Celebrating 20 years of Peep Show

The indelible memory for me will forever remain Jeremy running over a dog and then eating it on a barge during Mark’s ad hoc job interview. 

Because we can all relate to that. 

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Ah, the majesty that is Pine Barrens.

The funniest episode of any show ever. It’s not just the quotes but the brilliance of the situation. Big-shot mafia goons go a few miles outside of their comfort zone and they don’t know what to do. 

They get lost and almost die in a two-mile stretch of woods. Useless/hopeless/pointless individuals. That’s the genius of the writing.

Imagine them on an Ant Middleton show.

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Hannibal – blimey.

I think I’d wander into the spurious were I to declare Hannibal the best TV show ever made, but for its sheer entertaining unpredictability, the majesty of its visuals, and the simply captivating Mads Mikkelsen, it’s up there and not quite such a ludicrous statement.

In many a show I have moaned like a wee bitch about constant switching allegiances and a deus ex machina chucked in the mix every other episode, but with Hannibal it’s like this from the off so never feels desperate. You’re living in a world of absolute loons here and it’s a perverse pleasure to be exposed to the nether regions of the human experience.

It’s as flawlessly engrossing as anything I can think of in recent years, and even the dialogue exchanges are cutting edge; I found myself googling just exactly what the fuck the characters are alluding to in their psychobabble exchanges, but it’s never pretentious in the way they do it. The show defines world-building.

What a treat.

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Madoff: The Monster of Wall Street.

A surprise.

If you wish to see a labyrinth of corporate greed which the financial lay person (me being one of them) can almost understand, then this is one limited series for you. 

It’s an addiction. And this is in spite of the cringe slow-motion visuals every other minute of a Madoff doppelgänger circling his office with the same rictus grin, a “financial serial killer” in his element.

As a history lesson, it’s impeccable, and none of the willing participants are let off lightly.

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Better Call Saul was the best.

Well, that was one magisterial journey. A flawless show, every episode a veritable treat for the eyes and ears. To be just that bit more reflective, it was better than Breaking Bad, though dependent upon it.

Nothing much else to add, really.

Magical.

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House of Cards (UK). What a ride!

Well, it wasn’t quite up there with the first two seasons of the Kevin Spacey bad boys (may his career rest in peace), but this was glorious at times. And one has to take into account it’s a BBC serial from 1990. Those were shoddy days for quality drama.

Ian Richardson has a certain … magnetism about him. He defines Machiavellian.

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Pieces of Her (2022) defines derivative.

A well-acted shitter (Toni Collette is marvellous in everything) but this descended into farce after about 30 unexpectedly disturbing minutes – I thought this was meant to be one of those quirky coming-of-age dramedies which can be quite therapeutic on occasion. The horrific MacGuffin had me almost turning the show off, such was its realism and relevance. I give it some kudos for that.

Things got messy thereon, however, and I’m referring to the script. It wasn’t going anywhere and I was losing interest with every gnawingly predictable moment, a pile-on of scenes from other thrillers. By the second episode I was lost in the world of far superior stuff demanding a second viewing.

I pulled the plug.

I hope you follow my lead (see what I did there?).

Rubbish.

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Seinfeld is an addiction.

And it’s still very much unique. These characters don’t learn anything, no ‘life lessons’ or any of that. They simply go from episode to episode trying to make sense of the Manhattan cultural lexicon. There’s something kid of refreshing and honest about it, and unlike Friends it doesn’t resort to a cheap pulling of the heartstrings. It’s also way funnier.

Thank you, Netflix.

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