Tag Archives: Berlin Wall

Good Bye, Lenin! (2003) revisited.

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I saw this movie many years ago and thought it rather great, but time distorts things. Goodbye Lenin! (2003) is an occasionally semi-funny insight into global changes impacting on the small scale; here, day-to-day life as experienced by an East German family going to increasingly elaborate lengths in maintaining the illusion of the GDR’s omniscience. The director’s stance as to reunification is a bit too ambiguous for me, the movie more concerned with a broad view of how the personal and political interweave, assessing the extent to which the society we live within affects us.

Why bother with such a contentious subject if you sit on the fence? This happens again and again.

It is at times a nauseating watch, almost an apologia for state tyranny. The film’s premise, pure Ostalgie, is that the economic and social constructs of the GDR, because of its restrictions on private wealth and public expression, harnessed a deep sense of togetherness felt by families. Wow. I won’t be watching it again. And all the Kubrick stylistic homages in it irritated me immensely.

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If Lenin! refrains from showing the horror of life in East Germany in vivid detail by opting to examine why in recent years it has been de-emphasised, it has paved the way for a more meticulous and exacting probing of the Stasi state in contemporary cinema through devastating films such as The Lives of Others (2007), with all the GDR’s greed, hypocrisy, paranoia, and corruption laid bare.

It is 2020 and some folk (I call them “social spastics”) identify as communists.

They are the walking demonstration of why society is forever crumbling.

Anyway, I fucking despised this movie. HATED it. Stay away.

Further reading/viewing:

https://www.theguardian.com/culture/2003/jul/25/artsfeatures.dvdreviews 

https://www.rogerebert.com/reviews/goodbye-lenin-2004

https://www.theguardian.com/film/2007/apr/13/worldcinema.drama

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The fall of the Berlin Wall – 30 years on.

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The Berlin Wall has been down now for longer than it was up (1961-1989). A lot of stuff seemed to happen during that Cold War era but since the wall’s … demise it’s like very little of significance has actually happened, even though it has. When you live through the decades rather than read about them things are less dramatic.

Francis Fukuyama’s ‘The End of History’ is of course absolute pampers but for me at least, it does often feel like history is indeed over, the Manichean structure of it gone, and we are now living in post-historical times. And nothing means anything anymore. Maybe it’s the 24-hour news cycle, the desensitisation to carnage as a result of its hourly reportage.

Anyway, here’s a mediocre snap of the Berlin Wall from my first trip there in 2009. Later that day I went to Checkpoint Charlie with a pal of mine and said to him: “This is fucking shite.” I don’t know why I was expecting something magical.

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And check out these two stunning movies:

 

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Conrad Schumann – life as an icon.

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Until the other day I thought this photograph, the so-called ‘Leap into Freedom’, was the criterion for liberty, no less. A cursory Google search (the snap came up in some morbid conversation about David Hasselhoff’s ‘Looking for Freedom’) says otherwise. The power of images is propaganda above all, the human story often discarded. It appears Schumann was the prisoner of *our* image, and reading about his life post-1961 – depression, solace in alcohol, his eventual suicide in 1998 – one can’t help but feel for the guy.

That primary life-changing decision with all its what-ifs, and he had to be reminded of it daily, us lot ascribing meaning to the photograph that wasn’t there, like we’ve owned his experience.

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20 years later.

I suppose the contemporary equivalent is becoming a meme and spending your life trying to supersede it.

Further reading/viewing:

https://www.independent.co.uk/arts-entertainment/the-leap-of-hope-that-ended-in-despair-1167101.html

https://rarehistoricalphotos.com/conrad-schumann-defects-west-berlin-1961/

http://100photos.time.com/photos/peter-leibing-leap-into-freedon

https://www.buzzfeed.com/audreyworboys/famous-people-from-memes-then-now

 

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Flight from East Berlin.

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Berlin went apostate after the Wall’s crumble – it is now a free-for-all, one of those clichéd multicultural hubs, the EU’s sociological vanguard. Not so back in the Honecker days, a Stasi-sprinkled 1984.

The audacity of this escape is bonkers, so too the entirely legit video recording of the getaway. Old Skool VHS-C home video footage isn’t half gnarly when the camera roams free in the exterior à la Paul Greengrass. No one wants to see a wee sprog from the States wail like Chewbacca on an ecstacy overdose upon opening a Nintendo 64; mind-blowing vistas is what it’s all about.

Escape artists:

Ingo Bethke, a border guard, fled East Berlin on an air mattress in 1975, crossing the River Elbe into West Germany. In 1983, his brother Holger did one better, using a zip line from an attic to Ingo’s car on the other side of the wall. It was six years later that the two brothers, having learned to fly, dressed in military garb, painted Soviet red stars on two planes, flew over the wall, landed in a park (with one place circling overhead), picked up the third brother, Egbert, and then flew back into West Berlin, arriving at the steps of the Reichstag. They then went off and got pished on a smorgasbord of alcoholic delicacies. Incredible.

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Icarus (x3) they were not. Totalitarianism breeds creativity, just ask Jean-Paul Sartre. And nothing spotlights the stupidity of that lunatic Soviet ideology than getting a free pass to fly around with abandon merely because there are red stars on your plane.

Good Bye, Lenin! (2003) so comically captured those last dying days of the GDR. Imagine that mixed with The Great Escape of the Bethke brothers. Why isn’t this a movie yet?

Further reading:

http://articles.latimes.com/1989-05-29/news/mn-692_1_berlin-wall-west-berlin-allied-sources

https://www.huffingtonpost.com/2014/11/07/berlin-wall-escape-stories_n_6090602.html

https://www.aljazeera.com/focus/2009/10/200910793416112389.html

 

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Warsaw and Berlin/Capital to Capital

I arrive at Warsaw Modlin with three mates. We meet another in my hotel room and drink the night away, random bar to bar, the heavily accented rejection “Not tonight, lads” a frequent leitmotif. This pattern continued the following two nights; no historical sites or culturally relevant landmarks were sampled.

I emerged with a ghastly unexplained bruise on my shoulder, and lost three jackets and a phone – someone is enjoying the plethora of life-changing memes on that phone (hours of work). I therefore have no photographic proof to provide evidence that I was in the Polish capital so I’ll just sign off by saying that Warsaw was … alright.

To Berlin Hauptbahnhof on the 1400 train in a lovely First Class carriage. A porter chucks us bottles of water. At Poznan, a middle-aged Chilean couple join us. They speak very eloquently about the fight for the Republican nomination. Donald Trump dominates the chat. I’m a bit ashamed of myself for not nipping that topic in the bud.

Berlin got a bit X-rated on occasion, the most subdued episodes nightly trips to Last Cathedral bar just north of Rosa-Luxemburg-Platz. A self-described ‘Horror Rock Bar’, we shot the proverbial shit in the atmospheric haunt, discussing Game of Thrones and East German historiography in hushed voices.

Nothing touristy was done; walking tours were jettisoned in favour of lengthy hangover-induced lie-ins with Alka-Seltzer and YouTube. This was not a conscious decision to take the apostate route and ‘be different’ by embracing the anti-tourist modus operandi. It was merely a case of being too ill to leave the hotel before 7:00 p.m. Moreover, I had been to Berlin before, so I didn’t feel I was missing out on much daylight happenings.

What I did take from Berlin was a sense of the possible, a wander in an evolving maze. I see no uniformity to Berlin save its randomness. The city feels like it was endearingly designed using the paint program on a Windows desktop. The locals seem content with this, chilled, unencumbered with appearances.

A few salient memories remain: Zooming past the Berlin Wall in a Mercedes-Benz in a dash to the airport, smoking Cointreau from an e-cig, guzzling from a litre-bottle of Smirnoff Ice in Matrix club and convincing myself I was a hip-hop artist, a chat with a verbose pub bouncer about the Stasi, and insouciantly munching sushi off a bin like a glorified hobo.

Once upon a time in the noughties, alcohol didn’t dominate holiday proceedings. I’m not sure when I’ll fully exercise a bit of nostalgia and hit a city teetotal, but when I do I’ll frequent the museums and stuff.

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