Category Archives: United States

The Right Stuff (1983) – the wrong stuff.

 

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This movie was fucking awful. I’d heard all about it for years but put it on the shelf for a rainy day. It rained and I took the plunge.

Why is it that most ‘space movies’ are dull as dishwater? The subject remains an endless fascination but the movies are mostly pathetic. The filmmakers’ think that ‘getting it all right’ on the physics and equipment equals a masterpiece. They continue to disregard a need for drama, a human conflict that sucks you in and makes you invested in proceedings.

This film is sadly another snore-fest. No one gives a fuck about the scientific dimensions of the story, only the conflict and the feels. We have here a rather ultra-talented array of actors – Scott Glenn, Sam Shepard, Ed Harris, Fred Ward, Dennis Quaid – all looking … bored.

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It’s so uninspired and prosaic, real lazy filmmaking. Imagine Michael Mann made this; you’d have a masterwork on your hands.

Fucking hated this film. Shite.

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The Mighty Ducks trilogy – good god.

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Some things shouldn’t be revisited, mainly items from childhood that fill you with nostalgic joy. The Mighty Ducks movies are a mighty (sorry) example of this. I was convinced they were masterworks because time is an emollient cream of sorts. By gum, these films are fucking dire.

Where to begin? We can start with Emilio Estevez’s face. It is unchanging throughout. The bloke has the acting chops of a turnip and the charisma of a sock. If he were my coach I’d quit the team. What is even worse, though, are the kids. They are so annoying that I think I’d spike their milk bottles with cyanide had I passed through the school system with them. The one exception is the fat bastard from Keenan and Kel who pops up in the sequel; he’s the only critter there with an IQ.

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And what a mad movie D2: The Mighty Ducks (1994) is. For some reason the bad guys are from Iceland. Every single one of them looks 10 years older than their age and appear to be either Neo-Nazis or overgrown members of the Hitler Youth. Their coach is even called ‘The Dentist’; Marathon Man (1976) flashbacks kicking in.

However, the theme tune is splendid and the Flying V looks aesthetically pleasing even though it makes zero fucking sense.

The ’90s were an odd time.

Further reading/viewing:

https://bleacherreport.com/articles/2141498-25-things-you-never-knew-about-the-mighty-ducks-trilogy

https://www.empireonline.com/movies/reviews/d2-mighty-ducks-review/

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Maverick is back – Top Gun 2.

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This came out of nowhere, YouTube losing the plot every so briefly. And it looks crack-a-lacking. Val Kilmer is so far incognito, but Wikipedia informs he does indeed feature. As nostalgia goes, this trailer is dynamite. High-concept 1986 all comes flooding back: Tom Cruise in his macho infancy, Kenny Loggins in his jammies, blokes wearing Aviator shades indoors, motorbikes, ‘inverted’ chat, and … blokes playing volleyball to … Kenny Loggins. Incredible scenes.

Further reading/viewing:

https://www.digitalspy.com/movies/a859315/top-gun-2-maverick-cast-trailer-release-date-plot-spoilers/

https://www.telegraph.co.uk/films/0/top-gun-maverick-plot-cast-release-date-tom-cruise-sequel/

 

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Bringing Out the Dead (1999).

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Scorsese’s last movie of the ’90s is curiously his weakest work. It’s a lazy narrative that seems enamoured with MTV standards/trends of cinematography. It also suffers from ‘The Affliction’: the liberal use of popular music tracks to paper over deficiencies in the script.

It’s a promising concept: Nicolas Cage’s paramedic, physically and emotionally drained, drives around an early ’90s Manhattan – by all accounts a crack-strewn cesspit at that time – in search of the high of saving a life, and a broader redemption as he’s haunted by those he couldn’t save.

By the one-hour mark the picture sadly has nowhere to go. There are a few moments of transcendence, particularly the final shot, but it’s all rather boring, from the cartoon character supporting roles to Cage’s … bored performance. One suspects it could have worked better as a small-scale picture, Mean Streets (1973) with a defibrillator.

The life of an ambulance driver has never looked so torporific. One of the very few Scorsese pictures I’ll pass on should it ever crop up again.

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Scaled Composites Stratolaunch.

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13 April, 2019 – Mojave Air and Space Port, time unknown to this writer.

The world’s largest ever plane by wingspan embarked upon its two-hour test flight, reaching an altitude of 17,000ft, coasting at a relatively underwhelming maximum speed of 189 mph. It’s just the beginning, though.

This is no Ryanair stinker. The Stratolaunch shall, as Microsoft co-founder Paul Allen envisioned, lift rockets to 35,000ft before launching them into orbit, an air to launch alternative to a traditional rocket launch.

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A higher launch point = less drag, and less cash pumped into proceedings, sub-orbital spaceflight the archaic aircraft carrying the Sputniks of the future.

Aesthetically, I don’t know what to make of this titanic bastard of an airplane. The Wright brothers were faffing around as universally mocked numpties in 1903; I’d like to think this, however ugly, was what they had in mind.

Further reading/viewing:

https://www.businessinsider.com/paul-allen-stratolauch-biggest-plane-2017-6?utm_source=msn.com&utm_medium=referral&utm_content=msn-slideshow&utm_campaign=bodyurl&r=US&IR=T

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The Last Blockbuster.

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Bend, Oregon, houses the last remaining Blockbuster, defeated foe of Amazon and Netflix.

I can see this store becoming a sort of movie Mecca of the future, nostalgia in the present. And there should be just one of them, perhaps the only reason to ever visit Oregon. When Blockbuster ‘died’ I confess I wasn’t bothered. It’s only a few years down the line that you come to lament the absence of such treats.

Blockbuster was ‘da bomb’ back in the day, the Friday night Shangri-La – purveyor of movies and nibbles after a week of school tedium. Granted, there was an annoying element to proceedings, this the desk clerk who, when he didn’t believe he was Auld Reekie’s version of Quentin Tarantino, went into full SS Guard-mode if you didn’t rewind a VHS rental of Rush Hour (1998). It was for the most part a haven, though, and coupled with Edinburgh’s car boot sales a perfect introduction to film.

The internet is of course sublime (you don’t even have to leave the house and speak to anyone) but Blockbuster was where geeks congregated, our own wee social and cinema club. My old beloved Blockbuster in Gorgie has tragically metamorphosed into a Costa Coffee frequented by polo-necked creatures. Gentrification and all that.

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Gorgie Road’s Blockbuster, now a hipster hangout.

Further reading:

https://learningenglish.voanews.com/a/oregon-will-have-the-last-blockbuster-on-earth-/4836210.html

https://www.pressherald.com/2019/03/18/this-is-what-its-like-inside-the-last-blockbuster-on-earth/

 

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Black Friday is approaching.

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It’s almost here again, our contemporary version of Dawn of the Dead (1978) in which hordes of consumer-goods-obsessed zombies storm retail outlets with abandon, many of these creatures camping outside the store overnight so as to snatch a discounted TV come opening time. Some of the scenes are simultaneously horrifying and hilarious. What a time to be alive. Mutants.

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Carhenge – what the hell?

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Stonehenge – Americana-style. This peculiar piece in Alliance, Nebraska is an aesthetic lifted from Return to Oz (1985). I fear the Wheelers when I look at this, not the Druids.

38 spray-painted vintage cars put together in 1987 by local Jim Reinders as a memorial to his father. I like the idea of that, a gnarly construct to the departed, not some grim, dull statue for an inebriated plonker to stick a traffic cone on.

Further reading/viewing:

https://www.thevintagenews.com/2016/09/03/carhenge-a-replica-of-stonehenge-made-of-thirty-eight-american-vintage-cars-and-trucks/

 

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