Martin Scorsese’s The Big Shave (1967) is quite the thing.

One might deem it ‘the genesis’, a foundation of style and themes. There’s a sacred quality to the pre-digital age and this is why they are better movies – one had to really think about how to construct the visuals and it wasn’t a case of throwing the camera around and waiting for something to happen. It’s a basic non-point to make but films today are beyond pathetic because they are so far from artistry it’s a 1,000-crewed ‘collaborative effort’. There have been several exceptions but almost everything is identical, every film conforming to the same storyboard.

It’s a terrifying experience firing up Netflix.

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