
Lunch-time wanderings again but on this occasion with a twist. The COVID-19 calamity presented the chance to obtain a soulless, way-too-sharp semi-decent snap of London Road from the roundabout. And yes, I was ‘distancing’ as I ordinarily do (for people in this part of the world generally stink), and also donning ‘Corona Clobber’, i.e., latex gloves and surgical mask.
In any other age, the frame would be rammed with our clunky buses. But not today.
2020 is historical.
Writing is waterboarding of the mind, such is the rolling artillery barrage of stimuli out there. As a part-time aspiring Gonzo in the knock-off Hunter S. Thompson mould (I don’t do drugs for fear of dying before the real-life Matt Damon lands on Mars), I cannot construct a sentence if there is a Wi-Fi connection. Why pen anything when there is Wikipedia and a mammoth page dedicated to the Battle of Austerlitz (1805)?
One must be unplugged from The Matrix.
Here is my photographic … representation of even an attempt to write anything with a correctly placed comma. And all music must be Enya or Enigma or any other kind of chillout music, nothing too high-tempo.

This photo ripped an hour from my life, by the way.
It’s how I imagine F. Scott Fitzgerald carved his stuff when Zelda was out in Lalaland off her tits on cocktails galore.
Ventured into some vinyl shop on Cockburn Street, Edinburgh the other day. I wished to recreate the truly gnarly album cover of DJ Shadow’s truly spellbinding Entroducing (1996).

Entroducing (1996).
I was loitering around the venue for a good 25 minutes, the owner becoming visibly vexed with yours truly. He didn’t like the cut of one’s jib, nor the fact I was papping his customers.
I managed to get a half-decent snap out of the 1,835 taken, and this was of some random not even in the fucking shop.

I’ll see you in another life when we are both cats.