The best collaborative album, and Kanye West at his peak. Apparently, he lost his mind or something recently.
Yes:
The best collaborative album, and Kanye West at his peak. Apparently, he lost his mind or something recently.
Yes:
22 November, 2010 and this ridiculous … thing came into the world.
For me, it’s the Greatest Album Ever Made. And I find Kanye West nauseating, an attention-seeking baby who needs muzzled. Not the tunes, though. These are simply glorious, the album track-for-track mastery without equal. It’s the production, the melodies, the bombast, the deep thinking at work. Like all art, you can appropriate the material and line it up with something personal.
The (Stranded in) Belgium Odyssey of December 2010. Everything that could have gone wrong went wrong, but it was all very life-changing and I’ll never forget some of the epic moments. And no one died, which is also great. This album was played quite literally 125 times in 11 days and every track I associate with an image.
Once again:

I first heard this album as I wandered aimlessly around Stockholm in December 2008, bar to bar and park to park apropos of nothing; I was merely documenting with some shitty camera phone the Venice of the North in winter. I was by no means lonely as I caught up with various travelling characters at the hostel after sundown, but the Kanye West soundtrack that accompanied daylight and early evening certainly had a great effect on me.

Drottninggatan.
I’ve always thought that music elevates the normal up into the cinematic, that there’s an extra reverence thrown in the mix. I had nothing profound to think about but ‘Street Lights’ or ‘Coldest Winter’ synced to me staring at a pigeon eating a discarded Subway butty was rather transcendental. Stockholm was the city for this moody music, and a walk back from Systembolaget to City Backpackers through Sodermalm with a £40-equivalent bottle of manky rum and additional ’08 Auto-Tune was a most brooding adventure.
I know nothing about Kanye West but this soul-searchingly depressing album – at times it’s like a self-pitying drunk crying about how his/her life went down the pan – is a cracker. I like the miserable and Kanye West is the one for me.
Further reading:
https://djbooth.net/features/2017-01-05-defending-a-masterpiece-808s-heartbreak