Z was such a pleasant surprise. It’s so rare these days to see an old-fashioned adventure movie that’s classically crafted, with a concentration on very few themes but these taken all the way and succinctly explored. It borders on David Lean at times, but peppered with vignettes of early Herzog.
Based on the exploits of Percy Fawcett, the film brought out the seeming wonder (and danger) of travel at a time when something called The British Empire actually existed, as risible the proposition now looks. Not that the film was nostalgic; merely, it captured the mores and eccentricities of the age, and the obsession with new discoveries that went with it.
These adventuring … pioneers, I suppose, are held in high esteem because they paved the way, accomplished things most men couldn’t. It’s films like this that do them service. And there isn’t a single sighting of a CGI monster or a nincompoop in a cape. Refreshingly old school.
I’ve always wondered about this one, and have no way to verify whether it’s a legitimate piece of footage or not. It appears to be shot on the Eastern Front, capturing brutal house-to-house fighting between the Red Army and the Wehrmacht. Stalingrad, perhaps? I know re-enactments were commonplace, and especially right after battles. It’s an eerie proposition, though, that a soldier’s passing would one day be played back in an Edinburgh slum on a Friday evening, the viewer drinking Southern Comfort from a ThunderCats mug.
The Foot of the Walk pub in Leith. Quite the dingy establishment at the best of times, pop in to witness regular brawls, glassings, and the sight of a woman in a poncho snorting lines of heavily cut drugs off the table at two o’clock in the afternoon.
A wee trip back into the luxury high-end voyages of the past here, with Hercule Poirot actor David Suchet doing the Orient Express thing sans the Agatha Christie plot mechanisms. Nothing matters outside the train, the roving slice of the Victorian beast a world unto itself. It’s a charming doc. And I’m never travelling with ScotRail again after viewing this.
“You’re a top operative working undercover on an important mission. People are trying to kill you left and right. You meet this beautiful exotic woman. I don’t want to spoil it for you, Doug, but you rest assured that by the time the trip is over, you get the girl, kill the bad guys, and save the entire planet.”
Philip K. Dick wrote We Can Remember It for You Wholesale in 1966. I’ve never read the short story, only having on about 16 occasions watched the movie adaptation Total Recall (1990). As a kid I was in it for the action and Arnie one-liners. As an alleged adult it’s the purchased memory theme that brings me back, the ambuiguity as to whether Quaid’s Secret Agent adventure is fantasy or not.
Perhaps the peak Arnie flick – a blistering entertainment married to cerebral ideas and conceits – it still stands as one of the most accessible sci-fi works over the past 30 years. The future of the holiday here is the downloading of data, the transcending of air travel. Returning with artefacts aside, what are journeys but the accumulation of memories, imprints which serve as building blocks of the id.
The movie – and, I presume, the short story – was way ahead of its time, and still holds up.
‘I have relinquished the administration of this government. God Save The Queen. Patten.’
Last Governor of Hong Kong Chris Patten transfers sovereignty to the People’s Republic of China on 1 July 1997.
Nothing quite encapsulates the spluttering anticlimactic end of the British Empire as does this dreary, pitiful snap. No drama, no tension, just a timorous ceremony and this accompanying image for posterity.
Sometimes watershed moments of history produce underwhelming accounts. I hate goodbyes, too.
Koyaanisqatsi (1982) was the first movie I was introduced to when I set out to ‘study’ film. Our lecturer stuck it on a projector and I instantly frowned, my inner monologue disparaging the ‘pretentious cinephile’ before me – a curious impression as it was Godard’s Le Mépris (1963) that first sparked my interest in the cinematic arts.
Anyway, my lecturer came, saw, and conquered us philistines. Imagine sticking this bantz on to a class of clueless teenagers in a community college. I was stunned. The movie confirmed that aesthetic perfection could be gleaned from both the grim and the glorious, that mere montage could be both l’art pour l’art and didactic narrative. I struggle to describe this movie to people who haven’t seen it. In the words of that tubby philosopher Laurence Fishburne: ‘You have to see it for yourself.’
One of the very rare occasions on which a wander down Gorgie Road has resulted in a photo opportunity. Look at that sky. It’s something out of Cloud City … with the added bonus of an ALDI and a manky McDonald’s resting underneath.
A cursory Google search finds voluminous clips and blogs offering snippets of trips to former communist countries before Francis Fukuyama declared the End of History. Many of these comprise vintage polaroids from the ’60s and ’70s or VHS-C camcorder footage from the ’80s. A sequence shot of a Saint Petersburg Metro journey in the time of Brezhnev would ten years ago appear a trip down an irreconcilable lane. Born in ’85, I even whitewashed my early years, banishing the Cold War and its messy aftermath to the dustbin. Not so now.
Millions of westerners briefly experienced life behind the Iron Curtain and a not inconsiderable number of easterners did the same in the west, this with greater restrictons imposed by their home governments. Hammer-and-sickle enclaves were popular destinations for a kind of ‘police state tourism’, the almighty Soviet Union the predominant attraction.
The Soviets’ need for hard currency was the driving factor in this contradictory embrace of the outsider. Exchange rates were highly inflated, and what you could and couldn’t do was restricted. The visitor was obliged to stick to one’s pre-disclosed itinerary, and, officially, not trade on the black market. This was, however, unoffically permitted as a stimulator of commerce which the often struggling economy needed.
I’d rather travel to the Soviet Union of 1985 than the Russia of today; astonishingly, it appears more hospitable and the people more cordial yet at the same time more exotic. My experiences the past few years have been a mixed bag – so many cities are so alike in their banality that after a mere six hours in them I long for the return flight home as I recall that memorable line in Fight Club (1999): ‘Everything is a copy of a copy of a copy.’ I could be in Frankfurt but it may as well be Milan – much-vaunted landmarks aside they both house the same old shit and the same faux-charming narratives, with English the certified Esperanto of the city experience.
We are, however, as a reaction to the ill-thought-out effects of globalisation now less likely to dance around the Schengen fire to kumbaya and exalt in the multicultural utopia. Just east of the EU, Russia as it is today in its hideous incarnation makes those archive clips on YouTube appear a snapshot of a more civilised time. For good or bad, as the European federal project continues to erode from within, we may return to the fully autonomous nation state system our parents dismantled. It perhaps makes travel more purposeful, with destinations the more fanciful. We’re going back to building walls in order to bridge a way foward.
It’s always a treat passing through Dean Village, the soft underbelly of the Edinburgh experience. It’s how I imagine J. R. R. Tolkien conceived of an urban idyll. There’s nothing much to do here save waltz around, but one is briefly transported into a real-life Arcady.