Author Archives: Ben Gould

Reykjavík 2016 – autumn in Smoky Bay.

Reykjavík had a soothing effect on the soul, the city a meditative riposte to the palaver inherent to many a capital. It was a ‘Pleasantville’ setting in which everything appeared in sync, harmonious, and dare I say it, normal. One got the impression that vexing incidents seldom occur there, and when they do the locals sort it out – cleaning up its banks after the financial crisis being one example.

Duty Free.

This was a welcome sight. I’d heard the rumours and ‘conducted’ the research on Iceland’s inflated booze prices. Is it because of tariffs or taxes, or a form of social engineering? Whatever the explanation, this wee store was compulsory. I stock up on ethanol and fags, and hop on the coach to Reykjavík, snoozing at the back to a Sigur Rós mix because, well, I seem to be a cliché.

img_20160920_233849

First Night.

I arrive at BSI bus terminal, the sky black, the rain heavy. I don’t mind it, and the stroll to Reykjavík Downtown Hostel, passing the shore of Tjörnin Lake, with its calm waters and swan inhabitants, is almost cinematic, as if my pithy entrance into the city is indeed personalised. I don’t see a single person on this walk, only in the centre spotting a few figures making their way home from the closing pubs. I wander the streets some more, exploring the enclaves and with my eye out for the peculiar. I see only urban desert.

img_20160920_233303

Reykjavík Downtown Hostel.

It didn’t feel like a hostel. What I mean here is that it wasn’t dirty, noisy, or cheap. Wi-Fi, showers, cooking facilities – all were fine. Prime location, too.

Supermarkets.

It’s true what they all say – even your most basic goods here cost a fucking fortune. One must grit one’s teeth and get on with it, … or bring as much canned foods as possible. I don’t believe there’s an import limit on the volume of tuna or kidney beans making their way into hold luggage.

Vinbudin.

Vinbudin, a.k.a. the elixir of life. If one demands a cheeky bottle of spirits then this is your palace, conveyer belts galore splurging out an incessant volume of sparkling moonshine. It’s not exactly the Toys ‘R’ Us of ethanol, but it’s a useful additive to your standard Reykjavik night out, for which hip flasks are a frequent leitmotif.

Pubs.

I practised the ol’ habit of tearing into the spirits prior to any nightly excursions. By the time we reached the pubs I was operating in the upper echelons of intoxication. Nothing bad happened, though. I pissed in a bush between establishments, but that was the ghastly extent of my naughty behaviour.

Food poisoning.

Something I ate from a supermarket corrupted my insides. I think it may have been the Lumpfish Caviar and cottage cheese combo I mixed together for lunch. It seemed like a radical idea at the time but regrets were soon swarming. I’ve seldom been on so many toilet adventures. On the Thursday I spent 10 minutes slumped back on a park bench coping with the aftermath of a grenade explosion in my stomach. I shall refrain from further details but that Thursday was a slog.

img_20160923_101845

Hallgrímskirkja church.

This truly idiosyncratic structure towers atop the city as its main landmark, and can be glimpsed from all around. I didn’t venture to the top for I had an aforementioned grenade in my stomach. I did, however, crawl around on the ground outside. In these situations, you get a lot of bemused expressions from folk hoisting selfie sticks because you’re taking snaps ‘Old Skool’. I’m used to it.

Street Art.

It’s commonplace. It’s impressive, more elegant than tacky. I’m not sure what this is all about, but I find it strangely erotic. There’s nothing quite like being presented with a David Lynch-esque mural whilst on a random dawdle.

Farewell, Iceland. I’ll be back next year ….

 

Tagged , , , , , ,

*Living* on a jet plane.

http://www.citylab.com/housing/2016/04/meet-the-man-living-inside-a-boeing-727/480606/

plane-woods-home-5

This bloke has given a Boeing 727 fuselage a rather striking makeover, transforming the retired aircraft into a fully-functioning living space incorporating all the facets of a modern apartment. As the scrambling for urban space intensifies, with sky-high house prices flogging miniscule, rudimentary dwellings , we are seeing more solutions to the ‘housing crisis’. Granted, one needs quite a bit of cash to kick-start such lofty endeavours, but it must be singularly fulfilling to reject the orthodoxy and … live differently.

http://www.earthporm.com/man-lives-boeing-middle-of-woods/

Operation Bilbao Baggins.

August 7 – I wake with the sour taste of Southern Comfort and sliced lime lacing my dry gob like an Orc with a fire poker, foreboding sunlight piercing through the drapes and attacking my glazed eyes. It’s 9.30 a.m. and my flight left for London Stansted two hours ago. What follows is a frantic credit card-infused construction of an alternate itinerary. I find a train to London King’s Cross with a First Class seat, a Premier Inn for the overnight stay, and a flight to Bilbao early in the morning. I rush to Edinburgh Waverley railway station reeking of booze and with eyes heavier than the Stay Puft Marshmallow Man. I bump into a few crackers folk I used to work with in my semi-feckless days as a railwayman. Some are pleased to see me, others not so. One bloke can’t remember my name. Not much has changed.

The wife of the bloke who cheated on Who Wants to Be a Millionaire sits at the table opposite. She rolls her eyes at my reading of Ian Kershaw’s Hitler biography – this book itself a one-volume amalgamation of Hubris and Nemesis – and uncouth slurping of M&S gin and tonics. I cough loudly to intimate I know who she is. She reserves her judgement somewhat. The remainder of the journey is the usual snore. I think of these trips back in the ‘Olden Times’, the carriages filled with smoke and soot, the ’30s relayed in black and white. And no plug sockets or Wi-Fi.

13873043_10157365954530691_7691086919468801959_n

By the time I reach King’s Cross I’m shattered, immeasurably plastered. I wander around the station in a two-mile tetrahedron until I pinpoint the buses for Stansted Airport. The bloke offing the tickets looks at me as if I’m a visiting species from Venus, such is his puzzlement at an accent one could deem Scotch; conversely, I cannot understand a word he is saying. I’m glad we shall never converse again. I arrive at the airport, and quickly find the shuttle bus to the next-door Premier Inn. There’s a tall blonde on the bus with a ‘resting bitch’ face, a sort of aesthetically pleasing, My-Fair-Lady version of Ronda Rousey. I don’t say anything.

Premier Inn.

This is glorious. You get your key from a touchscreen-activated locker. No human interaction warrants taking place. Sometimes one really has no tolerance for the foibles of the hotel receptionist. I set alarm clocks on three devices for 4:30 a.m. and plummet down onto my £84 sheets for an erratic sleep, my ‘dream’ consisting of Leon Trotsky stood in the queue at Tesco. I don’t think we converse but it was definitely a pre-icepick head of the Fourth International picking out tomatoes and mushrooms.

13907128_10157367778525691_779752503339438072_n

The lady at security confiscates my tuna (mandatory) and a spanner I forgot was in the stash. I’m gutted about the wanton Machtergreifung, but have come to accept my ritualistic hazing at the hands of the airline Gestapo. I don’t think it’s facile narcissism to suggest that in these orderly enclosures one – under the influence and over the no-sleep limit – appears (perhaps only to oneself) quite the apparition, the sore thumb, the incongruent THING in the corner attempting to be inconspicuous. I’ve seldom been sober or indeed possessed of psychological equilibrium in an airport. The constructs bring out the very worst thoughts and I wish we could teleport instead, though not metamorphosing into a fly in the process.

On the jet, I find my seat by the window and pass out, only waking to cheers and sporadic claps. There seems to be so many planes falling from the sky these days that zealous celebrations are a prerequisite to the tarmac embrace.

Bilbao Baggins.

IMG_20160809_181623

It’s at Bilbao Termibus that I meet my friend Pablo, who navigates me to Pil Pil Hostel. I can’t check in until 3:00 p.m. despite having paid for the private room since the previous day. In the long list of ridiculous hostel moments this loiters around the top tier, almost elevated to the Number One spot through the curt manner of the desk employee dressed in hobo clobber spouting a hostel rules 101 monologue. Pablo – a crazy drinker I met two years ago in Warsaw who’s staying at Botxo Gallery Hostel nearby – and I ditch the Pil Pil shithole for the time being, and go out drinking, wandering the streets in search of ethanol enlightenment, which is found at this wee cafe of sorts in a park. I can’t remember what it was called – the park or the bar. The booze was okay, though.

IMG_20160809_190924

I’ve noticed something about the bar staff in Bilbao – most of them are horrendous actors. When I say actor, I refer to an ability to mask one’s emotions and crack on with the job. It’s a skill the British have. Not so much the Bilbao denizen. I ask for three drinks at a time for a reason – it saves me having to request a pint every 10 minutes. It saves my time and theirs, for I drink quickly. Anyway, my simple demand stimulated either a grimace or a shocked face of befuddlement, the contortion before me a discombobulated cup bearer. Just bring me my fucking order. Sigh.

This day was pretty full-on.

After finally checking in at Pil Pil, we gobble down beers and vodkas outside a dusty, almost Wild West-like saloon – inside I trip on the stairs on my way to taking a piss, such are the hazards of the dimly lit interior. Things do proceed to get decidedly messier after this. I recall a child screeching “Coca-Cola, Coca-Cola” behind me in the arches by Plaza Nueva, the little monster imitating my request to the waiter. I give her father a look that suggests I’m on the verge of chucking a glass of the stuff at their table. He gets the picture and they vacate the area. Job well done.

We’re proceeding past the Guggenheim Museum and I have a revelation that the contents of museums are an increasing irrelevance; it’s the exterior that matters. I struggle to think of a museum that’s anonymous on the outside but chock-full of treasures on the inside – at least ones worth taking a butcher’s at. The Guggenheim is discarded for a session of drinky poos by Nervión river.

IMG_20160808_173046

Flash-forward about six hours and I’m picking up a phone battery from between some tram tracks in dark marshland. Later, I’m walking around in circles, unable to extricate myself from an urban version of The Blair Witch Project (1999). I spend hours doing this, and twice visit a petrol garage requesting a taxi. They tell me to go away on each occasion. I sleep in a bush until daylight, and emerge covered in worms beneath this high-rise apartment building to a bottle (albeit plastic) thrown down at me, which narrowly misses my leg. I must be intruding on some kind of inward-looking ghetto. Only at a metro station do I realise where I am: Etxebarri, the last stop on the line. I make it back to the hostel at 8:20 a.m. and collapse for the second time on this trip.

Day 2.

Noon. I wake up feeling strangely sober, eminently fresh. I realise that I forgot to pack an EU adaptor. The receptionist doesn’t know what one is and doesn’t know where any shop pertinent to my needs is. I locate a supermarket and emerge with coffee liqueur, cottage cheese, a packet of ham, and knock-off Riveta. I purchase a charger at a store in town. I stand at the desk for five minutes waiting for a member of staff to return from the bathroom. The smell accompanies him.

Pablo is relieved that I am still alive. Apparently, I wandered out of the pub around midnight looking a little somnambulist. The events of the previous evening are recalled over several drinks before proceeding back into town. When you’re vitamin and sleep and water and all manner of essential sustenance deprived, haggard, rougher than a junkies carpet and/or badger’s arse, it has an immediate effect on people. They become wary, keep their distance, presume you to be the bringer of danger and the harbinger of unfortunate events. A part of you wishes to hit the sack, the healthy snack, and the shower in order to rejoin the acceptable standards of society, but the other part feels like it would be a betrayal of the Dionysian self.

IMG_20160809_161848

I’ve always been captivated by Nietzsche’s conception of man’s duality as channelled by Apollo and Dionysus. When the drinking starts I don’t believe in endings until it ends – the flight home, the physical impossibility of continuing the journey, the recommencement of work. As long as the body and clock can take it, I’m in the drinking zone for the long haul; I am the binge becometh. I see it as a case of fulfilling decadence, making a masterpiece. A day off the sauce would kill it.

IMG_20160809_173333

Baileys, more vodka, Pablo napping in his seat to prolonged gawking from passing locals, the singing of the Ghostbusters theme tune with another bar patron, and the surreal visit to a Winston Churchill-themed cocktail lounge. We rock in donning scruffy booze-soaked shorts and t-shirts, and sip faux-elegant concoctions as the bartender quietly facepalms. Back at the hostel, I hear fornicating in the room next door. It sounds like two Ewoks trying to build a fire. I collapse for the third time.

My enduring memory of Bilbao is of red. That’s it, really. There were a lot of red streets. The more I travel, the less places leave an impact. One city – with some oriental exceptions – is for the most part indistinguishable from the next. Perhaps I’m not doing enough of the ‘cultural’ stuff and spending too much time in bars.

IMG_20160809_182250

Farewell.

Jpeg

It’s one of those trips. The bus breaks down en route to the airport. I miss my plane. The next one is chartered. I arrive in London at midnight. The Premier Inn is utilised again. I collapse (again). I head back into Stansted the next day for the 4:20 p.m. Edinburgh flight. It’s delayed by an hour. I get the shakes during the flight, and headbutt the seat in front of me during a nightmare. No one says anything. I arrive in Edinburgh. An hour later I’m home. I take a piss, and then promptly collapse on my bed, once more with feeling.

Tagged , , ,

Mordor.

Sauron’s volcanic crib looking ominous from Hillend, Edinburgh, this afternoon.IMG_20160821_134903

Edinburgh Waverley station.

IMG_20160422_132713

The absolute scenes I’ve seen in this place: Confused Americans struggling to locate the exit, chavs clutching Buckfast whilst vaulting the barriers, heart attacks, brawls, ad hoc mass Spice Girls renditions. It’s a microcosm of the human experience.

Tagged , , , ,

Airport nausea.

Airports are frightful habitats, and in many ways a microcosm of the human pantomime. Security and safety are paramount and supersede all other concerns, but my circus observations and accompanying litany of facepalms continue to mount.

The things I hate about airports:

1. The security Walter Mitty knock-off inspecting my cans of tuna as if they are weapons-grade plutonium.

2. Plebs running about like headless chickens in a large fridge freezer. You can see them physically panicking at the proposition of a departure board.

3. Shop checkout staff asking me where I’m going to. Are we friends? No. So it’s none of your fucking business where I’m going. Fuck off and just scan my chewing gum.

4. The smell. People reek. It’s an epidemic. It’s shocking how many folk haven’t grasped the basics of personal hygiene.

5. Ibiza-bound mutants – mostly obese, tattooed imbeciles in tacky clobber – screaming and swearing at their kids. I really feel sorry for the children because they’re basically disadvantaged from birth.

6. Smiling staff. Why are you beaming? It has to be an act. If I had your job I’d probably kill myself.

7. Folk with pets. Why do you have a large honking dog with you? Get that smelly hound away from me. It’s not cute and it’s not cool.

8. Boarding gate lies. You run up there as the departures board informs you it’s time to board. You arrive and your plane isn’t there. Why do they do this? It’s most irksome. Stop it.

Onboard havoc – the pain continues.

9. Reserved seating. What difference does it make where one sits? You get folk on the verge of a panic attack in their quest to identify their seat, racing up and down like the Road Runner on crack. I recall the good ol’ days of the budget airliner when you could sit anywhere. Bliss.

10. Obese and smelly passengers, conversely, should be allocated their own cordoned-off seating area with curtains (dangly air fresheners attached) lessening the impact of the smell. No one wishes to sit beside a hippo and all the trauma that entails – let them experience what we go through.

The horror. The horror.

Greyscale.

IMG_20160717_081828

Meadowbank Shopping Centre on a Sunday morning. A dour consumer safari park of the most depressing order during the working hours, at first light it reminds me of Gary Oldman’s line in Leon (1994): ‘I like these calm little moments before the storm. It reminds me of Beethoven. Can you hear it? It’s like when you put your head to the grass and you can hear the growin’ and you can hear the insects.’

Tagged , ,

Off the grid.

‘Uncontacted Peoples’ is a term I hear more and more these days, and is tied into this whole rampant globalisation discourse – and the reaction against it – that dominates print and online journalism. The term itself is misleading, the narrative a skewed one as in many cases very limited contact has been made, even if it’s a ‘mere’ aerial lens capturing of a tribe.

I do find it totally unfathomable, though, that in an era of non-stop tweets, ‘trending’ on social media, 24-hour news, and the now seemingly complete interconnectivity of every facet of human existence, these people are still wading through rivers jabbing fish with spears, cultures whose capacity for art is alleged to be on a par with the sketches made by our caveman ancestors.

In an age in which an Instagram snap of one’s dinner evidences the meal, such Uncontacted Peoples perplex us with their scant concern for or awareness of anything beyond their own enclosed world. And yet we are curious about them, hence the plethora of anthropological works addressing their way of life, shaping a Western-oriented metanarrative of the ‘other’. What is often overlooked in such documentations is the effect upon the subject of the study itself, the presence of the evidence gatherer – journalist, photographer, filmmaker – and how this can not only misrepresent the indigenous subject but also materially influence it.

Ethnographic cinema, then, has its own set of problematic specificities, as evidenced in the notable historical depictions of previously unknown (to us) peoples.

Representations and the Observer Effect.

Nanook of the North (1922).

With its clumsy, trite staging of scenes and portraying them as ‘real life’, Nanook of the North (1922) elevates the artifice of ethnographic film to the ridiculous. The most infamous of these incidents is footage of Nanook – his actual name Allakariallak – hunting with a spear when in reality he used a gun. It’s anthropological cinema made to strengthen existing notions of how the ‘noble savage’ lives and works, a fallacy that does more to point out the deficiencies of the filmmaker and his effect on the material than a sincere depiction of an unfamiliar way of life.

The Ax Fight (1975).

The Ax Fight (1975), filmed among an ‘isolated’ Yanomami village in Venezuela, is dominated by an 11-minute unedited sequence of film showing an increasingly violent fight between two neighbouring tribes, the causes of which the filmmakers are ignorant of. The participants, however, are fully aware of the presence of the film crew, and discussion continues as to the influence the crew may have had over proceedings. Tim Asch and Napoleon Chagnon, its directors, maintain that their presence in the village, and the fact they had previously handed over machetes to individuals, had no effect on the causes or intensity of the fight.

Jean Rouch and cinéma vérité.

Jean Rouch, director of the seminal Chronicle of a Summer (1961), and widely considered to be in the vanguard of ethnofiction, seemed to find a way to illustrate a filmmaker’s interference – the Observer Effect – by consciously drawing attention to it, often appearing with his subjects in the films he made, fully aware that a camera can never be candid and impartial.

With the present ubiquity of discreetly placed GoPro recording devices and the like, this has now brought up new dynamic possibilities concerning the truth-legitimacy of the camera. Perhaps the only solution to achieving an uninfluential depiction of the ‘uncontacted’ would be to furtively place cameras in their locale and observe incognito, this introducing its own set of moral and ethical complications.

Maybe it’s just best to leave them alone.

Further reading:

https://www.therai.org.uk/film/volume-ii-contents/the-ax-fight

http://anthropology.si.edu/johnmarshall/

http://der.org/jean-rouch/content/index.php

http://www.newyorker.com/culture/richard-brody/the-extraordinary-chronicle-of-a-summer

Tagged , , , , ,