Outlaw King (2018).

lead_720_405This feature-length Netflix release garnered mixed reviews (63% on Rotten Tomatoes) but I was quite impressed by it. The film doesn’t have the romantic sweep and scope of Braveheart (1995) but it excels in details – its gritty and grim depiction of Medieval warfare and the violent politics at the heart of the Wars of Scottish Independence.

The movie is brooding and deadly serious, and, shockingly, well acted. Chris Pine might just be the only Yank capable of pulling off a half-decent Scots accent. Every previous attempt at a Scottish brogue made by an actor – save Jonny Lee Miller in Trainspotting (1996) – has been disastrous, Groundskeeper Willie in the flesh. Pine thankfully doesn’t go OTT.

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There’s no Battle of Bannockburn (1314) here, the movie acting as a sort of Batman Begins-esque ‘making of’ Robert the Bruce, the first act of a broader narrative. It’s decent –  no superheroes in capes or one-liners, just chain mail and chopped heads. Proper carnage. The Glory Days.

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